The Wider Asian Cinematic Umbrella

The tour continues

Followers and newcomers will know that my tour of unsung media lacks borders. From the safety and comfort of these great United States, I always look outward. My favorite series, medium notwithstanding, have influences upon influences that go back seemingly for millennia. Max Payne? The squinty Finnish bloke who brought us that combined The Matrix with Norse mythos with John Woo operatic gun-fu. God of War? The title alone should tell you it’s Greek before it clues you in to the ancient tragedies and legacy Claymation Greco-Roman film adaptations of the late ’60s and ’70s. Mortal Kombat? Started as a love-letter to kung-fu films, added a flair of body horror–and being the target audience makes it difficult to understand why parents didn’t like it in the ’90s. Then again, consider what made headlines in the ’90s in America:

Among other things, the first black president did NOT have sexual relations with that woman.

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红衣小女孩

Also known as “The Tag-Along”

Ready to accompany me on another trip through the Asian film industry, dear viewer? Grab your bags, get your supplies, carry an extra flare and meet me at 13:00. The next stop on this tour is the 2015 film “The Tag-Along.”

Known also as Hong Yi Xiao Nü Hai or 红衣小女孩 or The Little Girl in Red

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