One Vengeful Cudgel VS A Thousand Pacifistic Proverbs

Heroes don’t exist

For the longest time, I’ve been on the fence about this series. It came out in 2021 adapted from a manga that already had a surprisingly high female fanbase, so clearly they were the ones looking forward to the Ranked Raping Ecchi. That might sound harsh and considering what I’ve watched in the past, may bode poorly on me. I’m aware of how that comes across and I know damn well I’m not one to judge. I’ve been eyeing up Rias Gremory merch for a few months now; I’ve come around to Anna Nishikinomiya after a few years, despite her being a committed (and scarily athletic) serial rapist; and I believe Monster Musume’s best girl is Suu (Centorea is a runner-up); but Redo of Healer has a sign posted that reads “No God Will Save You if You Pass This Point,” not even Kratos.

So to that I ask, “Will Satan be the one to save me? Because I’m letting curiosity take the wheel on this one, but I’m not sure if I should apply the ‘surprise’ principle on this one.” Well, this time I didn’t go in as blind as I normally do, I read the summary elsewhere and after a few episodes, I learned that the main genre is “rape and revenge” pioneered by cinematic pieces like I Spit On Your Grave, a notoriously awful movie that even I’d think would land me at a war crimes tribunal.

Basically, the main healer, Keyaru, plans an elaborate vengeance scheme. Having retained the memories of a previous go at life, he carries the weight of that hatred and uses it on the people he was supposed to help, members of an explicitly corrupt kingdom and their royal family, most notably the princess and heiress Flare, who gives her ilk her blessing to repeatedly abuse and molest poor Keyaru in exchange for goodies.

On the one hand, I shouldn’t kink-shame—technically, I’m kink-asking and kink-observing. But on the other hand, I have to draw a line somewhere. There are corners of the internet I know better than to explore because I want to maintain my sanity as an adult, and in this case, as much as I love ecchi and hentai, this merely goes to show that I’m a firm believer in the Love Making Philosophy of Sex, as in, two people who are inseparably in love with each other in the kind of way that makes you cringe but also want nothing more than good things to happen to the couple.

That’s not here! Even after Keyaru has gotten his revenge on the rotten royals, he continues to rape and reshape this world from below the belt. The infamous second episode has a “cathartic” torture scene against the princess Flare. Once he’s finished, he irreversibly wipes her memory and gives her a different personality under the name Freia. Did I mention there’s no heroes in this series? What about the female fanbase? Which is what I’m kink-asking the most.

I’ve been to a certain part of the internet that has explained to me like a college professor on the concept of “consensual nonconsent” whereby in roleplaying, both partners (or more) agree to have sex in a manner that replicates a raping—and in the right mood under ideal conditions, that’s… quite kinky to say the least. Obligatory, treat me like a princess, f[glass breaking]k me like a whore. That part I understand, and I just want clarity on whether this is the aspect that led to the majority female fanbase.

So how’s the rest of the series? Honestly, it follows a formula. Keyaru, now going as Keyaruga, encounters a female enemy, she gets depowered and Keyaruga uses his d[bong]k as a baton to knock them into line. There’s harem anime where all the girls love the male MC unconditionally, and then there’s Redo of Healer where the girls neither have a choice nor a real chance to fight back. Even if they try, they lose… to his d[munch!]k. Now, I’m not particularly saying they’re guilt-free themselves; some of these girls have used and abused Keyaruga in his past life, hell, some of the men molest him too. Maybe it’s me, but if diplomacy is a tool at my disposal, it’s the first tool I’m using to get a word in edge-wise. Even in anger, I’m not using my d[thwack!]k as a cudgel to punish my enemies. I’d sooner do to my enemies what Kratos did to Hercules, and I can imagine an ancient Greek coroner trying to make heads or tails of the tomato paste that used to be his face.

It still has some of its shock value, but for lack of a better choice of words, most of it was blown on the first two episodes and they were each 65-70% flashback to when Keyaru was drugged and gangraped at the princess’ commands. S[bark]t, I mentioned Kratos in this blog, I can almost see the comparison if Kratos in the Greek saga went “Full Spartan.” Though the comparison isn’t as apt as I’m implying here. Kratos will only strike if you keep annoying him; Keyaruga will knight you as a sex slave with his penis if you’re female. If you’re male, then your innards have never been more delicious to hungry wolves. Add some salt and you’re gourmet cooking.

Do I recommend Redo of Healer? Before I get there, I want to live up to this blog’s stated mission purpose for once and say that I like what it does. It knows it’s a vengeance story about a hateful bastard intent on taking home the gold in the Rape Olympics. I like that it keeps that consistency in the face of criticism that, fortunately for it, never came because its release window coincided with that of Attack on Titan and that show’s dodgy as hell CGI for that season. Having said all that, I won’t try to sway your opinion one way or the other, just that if you choose to view this for yourself, do so with a particular mindset. Understand the concept of revenge before going in, pick your favorite vengeful fictional character to use as a reference point. I used Kratos as one such example, but if you want equally or more violent examples, you can use that—Hanzo Hasashi, for instance. Come to terms that the sexual assault and rape is taken more seriously this go around. It’s not like Shimoneta where it’s a great big punchline; it’s as much a weapon in Keyaruga’s arsenal as it was (and disturbingly is) in most of the genocidal wars and regimes from real life in the past 50 years (from Vietnam, to Bosnia, to Darfur, to Rwanda, to Uganda and elsewhere). I don’t know about you, but I’m not rooting for or against anyone. I’m merely watching the raindrops come as they fall, and I think that’s a good approach for those who choose to watch this.

If you’ve reached the drinking age in your country, consider taking a swig before watching an episode or two. But mind your drinking. I did it twice, and no hangover can erase the memory of what I’d seen in the first two episodes.

And I thought this was pushing the envelope… やれやれだぜ。

I don’t even know if I’ll read further into the manga…

Anime I Haven’t Seen (Will I?)

Onto something somewhat related

This blog is dedicated to various forms of entertainment. The default is the Japanese medium known as animanga — a portmanteau of anime and manga, or Japanese animation and comics/graphic novels — joined together with movies, video games, and more. Since I’ve begun this blog two years ago, it hasn’t deviated very much from this promise and so far I’ve given my opinions and recaps on all the series I’ve seen, games I’ve played, etc. But for something slightly different, there’s the subject of anime I have heard of through the grapevine (read: dedicated subreddits) but have yet to watch myself.

Not anime I have in the pipeline, mind you; anime I haven’t seen and don’t have concrete plans to do so. Now this isn’t an exhaustive list of animanga series. There’s always gonna be series being produced and adapted. Even as I type this, some madlad in Japan is hard at work crafting peak fiction. Whether that series becomes a hit, I cannot say. I’m not Shueisha, or Kadokawa, or Dark Horse Comics. So here, I’ll talk about series I’ve heard of and whether or not I may view them based on a variety of factors. If your favorite happens to be on here, forgive me if I’m not immediately convinced to give the viewing it deserves. Also, expect a few jabs here and there; it won’t color my opinions on the series in question. Keep in mind, the factors that play a part — fanbases included.

1. My Dress-Up Darling (2022-)

      Between The Saga of Yukana Yame and So, Like, Tokyo Ain’t the Only Place to Find a Gal, Ya Know?, I’m far from immune to the gyaru aesthetic and on my radar and my Reddit feed came The Gyaru That’s into Cosplays by none other than Shinichi Fukuda. To be fair, I checked out the more recent chapters on a whim after randomly delving into the dedicated subreddit. I was desperately curious to learn if there was more to the opening scene than just “introvert origin story” and sure enough there was. Not gonna spoil that, just read the manga or check it out on MangaDex if you’re impatient like moi.

      The basic gist is a young Wakana Gojo takes up hina doll sewing; a girl who thinks he’s cute discovers this and tells him he’s cringe and he learns to never share his passions again. A moment of silence for our star lead. Fast-forward to high school and a gyaru cosplay queen (who may or may not bare a striking resemblance to Sydney Manetapho (née Poniewaz)) named Marin Kitagawa discovers Wakana’s passion for sewing and requests his expertise to craft perfect cosplays. Over time, they fall into the “gradual lovers” trope from their own perspective, but slight spoilers from recent chapters, it evolves into the “everyone knows but them” trope. As in, they hang out so much that the surprise was that they weren’t dating prior to Kitagawa’s announcement of love, and it was inevitable that Kitagawa would let that cat out of the bag, as Gojo would be too embarrassed to tell the truth about how he feels. Not that he doesn’t want to be seen with a pretty girl like Kitagawa, more like if he’d confess, immediately slam his mouth shut, then pray to what he calls God to change the subject in .5 milliseconds.

      Channel: Crunchyroll

      It’s sweet, romantic, and one that I’m not too certain if I’ll ever get around to viewing. What kept me away was the hype. Audiences tend to be fickle and malleable and only those dedicated to a medium are gonna stick around long after the final episode of “Season 1” airs. The rest will move on because they can’t read. Now that the hype is at rest, I’m at a better position than I was to view it after clearing my current list (that perpetually expands like a f[bricks falling]king brick in the wall). Giving Light-footed Hojo a rewatch dubbed and watching Cute Girls Playing Music Cutely, whichever one I finish first (the former), I’ll have to replace it with Dress-Up My Gyaru Bestie.

      2. Fullmetal Alchemist (2003-04; 2009-10)

      The darling of anime with all the awards to prove it, like Gigguk I have yet to see this masterpiece for myself, but unlike Gigguk, I’m not waiting on an arbitrary moment in the far-flung future before I sit down and watch Halfplastic Wizardry. It lives on through the same tired-old memes about a girl and her dog, but more to the point, I would have nothing of value to contribute to the consensus. It’s like yet another European Theater WWII game. It’s not gonna stand out unless it does something extraordinarily unique and I doubt I’m the man to deliver. People love it, people hate it, people aren’t the most enthusiastic about it. That’s a lazy man’s consensus and much like my eventual venture into Pokémon decades later, I’m gonna find stuff I like and don’t like but otherwise not have strong opinions on Hiromu Arakawa’s masterpiece.

      Aside from praise for Winry, of course.

      3. Frieren: Beyond Journey’s End (2023-)

      Outside of living like an emperor on anime forums and subreddits, The Tale of the Racist Elf is known for doing a few things differently as hinted by it’s subtitle. Beyond Journey’s End as in, the story didn’t end after the DM declared the evil king dead. Acknowledging the after-story with engaging characters, Frieren runs with the concept and builds on as a sequel to a nonexistent story. Anyone can start a DnD campaign and see it through to the end, but I haven’t heard of anyone continuing long after the story has finished.

      Will I ever watch such a phenomenal show? If I was writing this before the adaptation was announced two years ago, probably yes. Now that it’s lived up to its promise, there’s no reason for me to put it off. Maybe I’ll do it by the Spring or Summer. Who knows?

      4. Redo of Healer (2021)

      Its reputation precedes it. It gained notoriety for various scenes involving emotional abuse and sexual deviancy, things I’m not opposed to in fiction, but the shark that keeps me away from the water comes from the fanbase. Outnumbered by the majority female fanbase, if what I’ve heard about the corrosiveness of the fujoshi community is to be believed, then in a nonsexual way, any man who wanders into territory where women are the majority (not necessarily target) demographic will be eaten alive.

      Contrary to the blog’s name, I avoid rocking the boat because it’s a damn good boat and as I said, there’s f[nom]king sharks in the water. Let me enjoy my limbs before I get tired of them. Now, there’s probably gonna be a few who recall the horny trio post from October and wonder why I’m drawing the line at Revenge of the Cock Slap. Well, between Rias’ boobs (where miracles happen), Anna Nishikinomiya’s legs (where Niagara Falls can be found) and Monster Musume (where slime girls exist), all of those have fun with the concept. White Mage Do-Over takes itself more seriously with the subject matter and while I’m not a kink-shamer, for once I have to put this image of Our Lord and Savior to address the fanbase.

      I’ll still keep my mind open if someone can convince me that How Dare You Boot Me from the Party is more than just a ginormous Lady Boner.

      5. Oshi no Ko (2023-)

      Another series with an interesting reputation online, I’m the furthest thing from the target audience for this. I barely keep tabs on western celebrities (except for some legacy names), I clearly have no business attempting to break into East Asian idol culture. And from what I know, I’ve seen enough of the business side. Oversimplifying the business of idols, they’re held to impossible ideals under sweatshop conditions to present a falsified image of themselves manufactured by their higher-ups for a worldwide audience. What makes this dangerous (apart from Oshi no Ko’s first episode) is that a select few deranged fans have learned the truth and, sucked in by the parasocial activity, took matters into their own hands; homicide, suicide, damn near terroristic threats when they learn that the idol in question was hiding children or a family or was probably a victim of sexual assault. I’d say, “what were they expecting,” but to add onto this, this can happen to anyone. You’ve definitely listened to a podcast and vibed so much with the hosts that you imagined they were beyond the screen or headphones. But they’re not.

      The insistence on perfection in idol culture and the “rug pull” at the lack of perfection keeps me looking in from the outside with disbelief and disappointment, and that’s just at the content. As for the fanbase, well, incest jokes are king in that corner, but unlike The Twisted Graves Siblings, there’s nothing close to dark comedy here. Again, I make known my normie status and I highly doubt I’ll check it out for myself, unless someone Saul Goodman’s an argument for this courtroom judge.

      Without malice or enthusiasm, I want to be convinced.

      Once again, there are other series that cross my path that I’m either on the fence about or fully committed to avoiding or not depending on multiple factors. I entrust fans of X to persuade me to join their creed, perhaps by presentation or whatever else works. They’re clearly convinced that their series of choice has merit, as am I so inclined to watch Lady Rias in action after so long, and I want to see what the hype is or was about. Maybe I can decide then if the series speaks to me with certainty.