Call of Duty’s Troubles

There are many

Normally, my blog posts tend to shed light on the obscure, the niche, the hardly known or talked about entertainment products that probably have only two “articles” dedicated to them, and by articles I mean something along the lines of a vague Wikipedia article or a social media post. This time, I want to talk about something that grabs headlines every holiday season and has done so reliably since around 2007.

What brought about a post like this? Well, in another episode of Piracy is the Best Policy, I emulated the PC version of Call of Duty: Black Ops for old times’ sake. I played it and its sequels yonks ago on console and I kept going back to gameplay of the mission where US Navy and Marines patrol the Mekong in the dead of night to the Rolling Stones so I thought I’d hype myself up. During gameplay, I realized a lot of things that caught my eye having briefly been a part of US Army basic training. Wrong uniforms, anachronistic weaponry, and confusion of the military branches were some of the worst headscratchers, but looking at the plot it reminded me of this article and subsequent video by WatchMojo.com about confusing video game plotlines.

https://www.watchmojo.com/articles/top-10-confusing-video-game-plots

https://www.watchmojo.com/video/id/13961

Disclaimer: the video and article are both from mid 2015 and Black Ops was saved for an Honorable Mention, but all things considered, I think it still holds up even if the game specifically isn’t mentioned. So for a recap, the plot of Black Ops is that Marine officer and CIA Operative Alex Mason is being interrogated by unknown entities in the late 1960s about his extensive service record in the clandestine government office.

His prime objective in Black Ops is to thwart an incoming Soviet threat, but due to Soviet mind games involving a mysterious sequence of numbers, he gets turned around each time. Faulty intelligence in Vietnam, a failed assassination in Cuba (one of hundreds), brainwashing programs in a Russian prison, and a series of mounting catastrophes approaching the US motivate the CIA’s actions throughout the 1960s.

From that description alone, you’d get the impression that the espionage angle is front and center, but one thing the CoD franchise didn’t realize until the 2020 reboot was that there’s more to espionage than donning a uniform. Studying the target areas, polyglotism, and mirroring the customs and cultures of an area all go to that, but what Black Ops lacked was any use of gadgets. Concealed cameras, hidden compartments, hidden weapons, and other such gizmos were all a part of an operative’s arsenal and unless they were going to a warzone, operatives were casually dressed. You only ever get that in the first mission of the game. The rest of the time, it’s an Olympic swimming pool of action and adrenaline.

Not the first time something like this would be used as a slight against CoD. Modern Warfare 2 walked through a controversy concerning the “No Russian” mission.

A jumping the shark moment in the series, some argued that violence was hitting too close to home — keep in mind, that the annoyances of post-9/11 aviation and air safety were fresh. 9/11 internet memes would be years away. Others claimed that CoD could’ve and should’ve done better to shock the public if they were going for a gut punch. Speaking of which, the terrorist attack on London in Modern Warfare 3 was also seen by some as one of several ridiculous moments in that game.

To my knowledge, the plot of Black Ops II didn’t have many controversies from the media or the audience, but there was one from Zero Punctuation, notably about most of the good guys being white Americans in contrast to the predominantly Latino villains. Personally, this criticism holds some water, but not a lot. Admittedly, there’d be more mileage in the decision to interrogate a terrorist on an aircraft carrier while said terrorist hacks into the ship’s computer and turns its weapons on civilian targets. It’s also worth noting that this terrorist was personally connected to the protagonist Navy SEAL David Mason, Alex Mason’s son. My knowledge is limited on this, but since he surrendered to the Navy here, shouldn’t the NCIS have performed an investigation on him or something? I know in the campaign he asks for David personally, but why would the Navy honor that request? Seems like a lapse in judgment, developer ignorance, or both.

Well, all was well and good for CoD until the release of 2013’s Ghosts after which everyone who held a grudge against the franchise lobbied their complaints to any passerby who’d listen. The games after that would focus on a futuristic element until massive backlash to 2016’s Infinite Warfare, coupled with a “gun to head” marketing tactic of tacking a MW remaster to the reviled game caused Activision-Blizzard to focus on 2017’s World War II roots in a callback to the franchise’s beginnings in the early 2000s.

Was this a good move? Well, Black Ops 4 the following year would make it seem like a one off until Modern Warfare was fully rebooted in 2019 while Black Ops Cold War put more emphasis on the espionage in juxtaposition with the standard military campaign. Matter of fact, the lack of juxtaposition was a valid criticism Zero Punctuation had against Black Ops in 2010. You know a game is nuts when an earlier game has more stealth missions than the game built around clandestine operations.

As I was playing my pirated version of Black Ops, I kept finding all the stuff that would turn off anyone who’s served in the military or even military historians, the uniforms and anachronistic weapons being one of them. Also the overloaded action as noted by Yahtzee Croshaw led me to an old video on the CoD franchise and one pivotal moment in the franchise’s history came from the development side.

In the middle of the development of Modern Warfare 2009, Infinity Ward founders Jason West and Vincent Zampella were booted for conflicts of interest and insubordination. These vague accusations have never been elaborated on as of this writing, but according to the video, Activision-Blizzard CEO Bobby Kotick reneged on a promise to divvy up the revenue generated by Modern Warfare 2, leading to a mass resignation soon after.

In the end, West and Zampella settled the matter out of court in 2012 for an undisclosed amount of money. Whether this had a direct influence on the series for the next decade until Modern Warfare 2019, I can’t say with confidence, but indirectly it opened the door to industry-wide wage theft and abuse in this medium. Coincidentally, the controversy surrounding the working conditions at Team Bondi, the Australian developer of L.A. Noire, were made public by former employees, including those who never saw the game through to its end, and what is known of the fallout between Infinity Ward and Activision was enhanced by the studio-wide mismanagement of Team Bondi, and their subsequent bankruptcy. All the punishing work to make one game, nothing to show for it, and worst of all it didn’t live up to its hype, forever designating it to cult classic status.

Team Bondi and L.A. Noire is an extreme example, but it’s nowhere near unheard of. Any old Google search will reveal a plethora of games that were victims of meddling from publishers, tyrannical studio heads, unreasonable hours, or anything else known to hinder development, even to the point of cancellation. Former Escapist Magazine journalist Jim Sterling has multiple videos detailing the industry-wide abuses, and they’ve made Bobby Kotick a feature on their show, The Jimquisition.

Being relatively late to the CoD scene, I wouldn’t have known about this otherwise but most fans didn’t pay much attention to the legal troubles or several canceled video games due in part or in whole because of the Infinity Ward fallout, but it’s worth noting the narrative differences between them and the devs of Modern Warfare 3, Sledgehammer Games. Across the trilogy, the spectacle of the games crosses over into cartoonish levels of action to the point where it might as well be a parody, like In the Army Now pretending to be Saving Private Ryan but wound up like The Hurt Locker. If you don’t know, the veteran and military communities hate The Hurt Locker for many reasons.

For what it’s worth, CoD is at least trying to refine its story campaign even if the hardcore demographic is stuck in multiplayer scoring killstreaks with death machine or UAVs, but personally I think the Modern Warfare and Black Ops reboots are doing a good job with the juxtaposition. It remains to be seen if Modern Warfare III can continue that trend. If so, great. If not, then the best we’ve got is the upcoming Six Days in Fallujah which as of writing is in early access. And one day I’ll play all of these, ideally after buying them and installing them on a disk drive larger than two terabytes.

This week’s recommended channel is TrueUnderDawgGaming.

https://www.youtube.com/@TrueUnderDawgGaming/about

This channel is dedicated to news, lore, updates, and everything else concerning fighting games, most notably the Mortal Kombat franchise. With Mortal Kombat 1 releasing in the next month, TrueUnderDawgGaming and other such YouTubers have been keeping tabs on the upcoming characters for the game, making individual videos on the characters and their updated appearances as Ed Boon and NetherRealm Studios put the finishing touches on the game.

The channel’s runner is very familiar with the 3D Mortal Kombat era as well, with videos on select characters or even events from those games and showcasing move sets of characters from this era as well. Die hard MK fan? Fighting game enthusiast? Looking for fighting games to try out and learn about? Look no further than TrueUnderDawgGaming.

By the way, I have a surprise coming up. Between the time of this posting and next week’s topics, I’m going to post an update on a manga returning after August 21. Those of you who’ve been keeping up with the series may know what I’m talking about, but for those looking for a sneak peek, look to the post from July 28.

Under the Mayo and How NOT to Review Games

Hot takes taken to an absurd extreme

When it comes to video game reviewers and YouTubers, I bounce between creators for a time. One of the recommendations I made a few posts ago about Tactical Bacon Productions is one that I firmly believe is in his element enough to get the traffic he needs, even with YouTube jerking him and other YouTubers around with arbitrary strikes and claims due to a screw up that happened on their part. The channels I’ve been recommending for the month of February (and others to come in the future, especially at the end of this post), have been consistent to the best of their ability regarding content. They know what they’re talking about or what they’re doing and few of them have anything controversial surrounding them. The same can’t be said of the subject of today’s video: Under the Mayo.

I came across this channel while looking for content for God of War 4 last year and his controversial review on the game opened up Pandora’s box. Several other YouTubers had come to defend the new Norse era of God of War and call out Mayo for his contrarian viewpoints. And these viewpoints were very contrarian. The video below has a provocative title:

Controversy definitely sells and if it was just a hook to reel in viewers, I’d leave it alone. But viewpoints within the video sounded too ignorant, as if Mayo hadn’t payed any attention to the story of the previous games in the lead up to 2018. Gaming journalists tend to do that a fair amount with the countless number of know-nothings who’s exposure to the old God of War games is surface level or they just forgot. And to lend a straw to Mayo, this isn’t about him misunderstanding the difference between Greek Kratos and Norse Kratos. Hell, this post isn’t unique in what it has to say about him.

On YouTube and select Reddit posts, he’s taken hits for sounding like a hypocrite. Five minutes into a review he’ll praise an element of X and ten minutes in the same video he’ll critique it. Or he’ll highlight a feature of one game, wish for it to be taken out of an upcoming sequel if the game is successful enough and all of a sudden wish for it to come back; or conversely want something to be patched out and regret it when it has. You could argue that most people don’t always know what they want and that’s fair. Too much can be said about an indecisive populace making a generation-changing decision and that sentence alone probably gives you an idea from across the pond.

The point of divergence for Mayo comes in the harsh critique of most games in stark contrast to everything he has said about Doom and Doom: Eternal. Here’s where I admit that the rest of this post may jump into speculation. My exposure to Doom is also surface level, even though I played the original games on Steam and I have the 2016 DOOM on Xbox One that I haven’t touched in a while. I’ve got nothing against the franchise or id Software, my preferences lean more towards the action-adventure variety. I think Doom is an awesomely influential series that most games these days lend an oath of gratitude to, enough that first-person shooters needed a more appropriate genre name than just Doom clone that was the case for it in the 90s and beyond. That being said, if Doom went to court for something (and it probably did, video games that showcase or reference the Devil are gonna get theirs), Mayo is the type of guy that if he were an attorney, he’d drop everything and zoom on over to the courtroom with enough material to sway the jury after boring them to sleep for seven hours, and that’s because even the stenographer wants him to shut the hell up.

id Software’s flagship series has a permanent residence in his head and if his critics are to be believed, if Mayo hasn’t mentioned or shown footage of Doom or Doom: Eternal apropos of nothing, he’s liable to reference it in a review of another game. I’ve watched YouTubers take apart his God of War and Sifu reviews for the flip-flopping, backpedaling talking points, drawing on the conclusion that he says it without sincerity for contrarian’s sake.

Personally, I’ve ventured around this angle before on a few things I wasn’t all that serious about, but Mayo seems determined to die in a bunker with 60 years worth of provisions on his takes.

I hesitate to say that I’m 100% passionate about a singular thing these days, my tastes are subject to change and I could spend my money on things that actually help with survival, hobbies and pastimes coming second. Among Mayo’s critics, he’s come under fire as a hypocritical game reviewer with a singular thing on his mind. With what I know about his review style and what others have said, it seems as though he frames himself as the singular authority on what makes a good game based on only one game and that’s a bad lens to look through.

Speaking of God of War critiques, in GCN’s video on Everything Wrong with God of War 2018 in the style of CinemaSins, one of the criticisms lobbied was one I actually agreed with: games in this day and age need to let go of FromSoftware’s tenets and features of game design. Listing off a round of games that put style and substance front and center like Ninja Gaiden, Onimusha, God Hand, Devil May Cry and the original God of War series, the proof in the pudding there was that FromSoft’s Dark Souls franchise is not the be-all, end-all of game design. In a similar vein, Doom: Eternal isn’t close to revolutionary.

If I may get controversial for a bit, Doom 1993 was a phenomenal influence on the gaming industry. DOOM 2016 and Doom: Eternal are not special. Within the franchise and within the gaming industry, these FPS’s are always welcome to let players partake in the carnage they have to offer, but they don’t have anything new to offer that other games already have for better or worse. Fighting demons on Mars with high tech weaponry? Call of Duty: Advanced Warfare and Black Ops III all did it a year and change prior with sliding and jetpack mechanics for better and worse. Setting the story aside to focus on ramming a demon horn into said demon’s own throat? NetherRealm Mortal Kombat, Black Ops IV, and God of War either did one or both of these things before that.

For the record, I’m not saying that I think Call of Duty beats Doom; I’m saying that mechanically Doom doesn’t do much to make a difference anymore. The lack of weapon reloading gets back to the style of shooter that literally gave you a gun so you can blast away unimpeded, but beyond that Doom is just a more extreme, more based shooter. And you don’t need me to tell you this. Get the game or watch a Let’s Play and see demon limbs flood the next level in Viscera Cleanup Detail.

Don’t get the wrong idea from this. Everyone loves what they love and hates what they hate, but it’s never a good sign to go hard on one or the other, especially at the expense of the opposite. Mayo clearly has a boner for Doom et al, and he has the right to voice his opinions, but there’s better ways to do it. I don’t want to sound like the internet police and say being an asshole on the Internet is wrong when most people do it, ideally with little consequence to them in the real world (better pray no one knows where you live), but if you’re going to say something, have evidence, write down your thoughts, and if there’s a contradiction somewhere down the line, correct it and try again.

The last channel recommendation for the month of February 2023 is TheMythologyGuy.

https://www.youtube.com/@TheMythologyGuy1/featured

Since this post mentioned a product caked in mythology, it seemed fitting to mention a channel where that’s the specialty on display. TheMythologyGuy talks about various mythologies from Greece to Egypt to Japan to Norse just to name a few. Several of my favorite videos of his are about the mythical inaccuracies in the God of War games, followed close by movie reviews concerning other myths and franchises, notably that of the Percy Jackson variety. The link to his channel is up above and his about page will have links on where and how to support him.

This will be the last of the channel recommendations until April. Look forward to their return.