Hentai!!

Where culture thrives

Doesn’t get any simpler than the title, eh? I’ve gotta confess first that I was so busy all week preparing for Army things to last the next few months (not a deployment or rotation, that would last way longer) that I didn’t even think to look at my topics list until last night and even then I was so tired I didn’t have much prepared until this morning save for this opener. Now that I’m well-rested and caffeinated, I’m going to spend this post talking about my journey into hentai, some of my favorite artists, and some updates; one related to work which may or may not have an impact on future blog posts, and one that covers an event in the city where I’m currently stationed.

Now, what is hentai? If you’ve been around the internet or can call yourself a veteran weeb, you might have instantly thought of an image involving an anime girl, tentacles, or in some cases, both. By which I mean a tentacle girl.

And there’s a reason the image of tentacles of have stuck with the genre for decades. For as long as art has been a thing, humanity has been sculpting, painting, and carving images of exaggerated and unrealistic human or humanoid bodies, to include depictions of deities. Travel the world and tell me about all the fertility statues you can find. In recent memory, I’ve stumbled upon a photo of this Indian Yakshini statue.

Shame the head’s missing, but simply what’s left is enough inspiration for countless artists, even today. Observe:

Credit: Takemi Kaoru, Original Source

In the context of hentai and overall Japanese pornographic works (live and drawn), the term “hentai” originally carried to connotations denoting strange or inexplicable behavior, not necessarily erotic or sexual in nature. Over time, the term has been so associated with animated porn that search engines preface that the results are censored or otherwise NSFW. For erotic art in Japan, early sources of erotic works of art can be traced all the way back to the Heian period. Theoretically, a daimyo who had some control of the Taira or Minamoto clans at the time likely had a stash of erotic art. Maybe a samurai clan had a treasure trove up until the Meiji Restoration or priceless art where everyone’s bits are out. Who knows?

One of the most famous erotic artists in history was one Katsushika Hokusai and his painting “The Dream of the Fisherman’s Wife.”

An early depiction of a woman being sexually pleasured by countless appendages and a fixture that will grace the genre centuries later.

From these humble beginnings, come manga. The associated wikipedia page clarifies that what you think of as manga today meant something completely different during the Tokugawa period. I’m not talking about animanga series set in the Edo period (a completely different topic that I have no problem exploring in the future), manga at this time wasn’t made up of structured stories like a serialization or even a yonkoma. The pictures were unrelated and predictably more difficult to make, but if it can be put into a book format and follow a kind of plot with boobs, d[foghorn]ks, and p[tiger]y playing some kind of part in it (and not just in a playfully teasing manner) then by all accounts it’s an erotic manga. These days, we know them as doujinshi, the Japanese term for a self-published work that not a lot of people realize is itself a broad term not necessarily exclusive to hentai and not always limited to physical releases. Name your favorite artist on Twitter or Pixiv or Bilibili, they may or may not have dabbled in putting plot to artwork. Here’s a sneak-peek of one of my favorites:

Source: Tatsunami Youtoku

After manga came adaptations into the form of animation/anime. Classic examples to some of you veterans may include Bible Black or Sailor and the 7 Ballz or for all you Eva fans reading this, the enigmatic Human Salvation Project (the latter of these I found out about yesterday morning). All classics, but none of them are the oldest examples of animated hentai/porn, neither in Japan or elsewhere. Saberspark has an example of one such animation from the late 1920s. His video is below with more details.

Channel: Saperspark

I stand corrected, a link to his video is here with more details. The wikipedia page for the short film is also linked. Six-and-a-half minutes and not too out of place for the Betty Boop-era.

The true earliest form of animated hentai was an Osamu Tezuka directed film adaptation of the 18th-century Middle Eastern folktale 1001 Arabian Nights. There’s two films with the same name released a decade apart in different countries. The American produced 1001 Arabian Nights released in 1959, and the Japanese produced One Thousand and One Nights released in 1969. I probably shouldn’t be surprised that the father of Astro Boy is behind this one. When your contributions kick a genre or medium into overdrive you have to go multiple different places. Still fascinating to see Tezuka’s name on such a thing.

Not as famous as the 1972 raunchy animated film Fritz the Cat, but preceding that film by about three years puts more points in that basket to me.

The more accurate adaptation of the Middle Eastern story isn’t the only one with Tezuka’s name on it as he also helped direct a raunchy retelling of Cleopatra’s life. After that erotic and hentai-like adaptations lay dormant and sparsely touched until the mid-1980s. Considering their laws addressing such material is from the late Meiji era when lines on maps were the most important thing in the world, in Japan’s case all hands on deck would be needed for such endeavors and leaving erotica uncensored was grounds for imprisonment. These days, it still is, which is why so many doujins and even live-action porn, known in Japan as adult videos, are censored even though the intended demographic is 18+… I won’t lie, I was a horny teen once.

I’m not a lawyer and I can’t argue in favor of either censoring or uncensoring Japanese porn and hentai, but what I do know is that the restrictions in place have inspired many geniuses ever since. An uncensored penis is how the artist gets slapped on theirs with a giant dildo bat not seen since Saints Row, but similarly shaped phalluses are not, which is all an artist needs to simulate pentrative intercourse or self-pleasure without the addition of censor bars, pixels, or more recently the lightsaber effect. The earliest of phallic replacements for the penis was tentacles which brings me back to Hokusai’s famous painting. We began with the likes of an octopus or other cephalopod caressing a naked woman’s body and have not looked back ever since.

Nowadays, references call back regularly to these early depictions of hentai online with comments showing tentacles in any such manner being some amalgamation of “I’ve seen enough hentai to know how this ends.” The genre wasn’t even done evolving. Where else could you find erotic anime-style scenes? Video games. Specifically, visual novels.

You might be familiar with early attempts at adult video games and the continuing legacy that I’ve found myself a part of recently, and that’s just speaking of the west where earlier depictions have fallen into controversy even in the wild times of the 1970s and ’80s. The time where the sexual revolution helped boost many names in porn and the video game industry hadn’t found its legs yet. The most infamous examples of adult-themed video games with any such action come in the form of the controversial Custer’s Revenge and X-Man, the latter of which is notorious for the pixely depiction of a Civil War and Indian Wars general George Armstrong Custer taking advantage of a bound, nude Amerindian woman.

Crazy that it took until Mortal Kombat and Night Trap to create the ESRB. Considering this s[bricks]t exists, it should’ve happened sooner.

From woodblock ukiyo-e print to manga to moving frames to playable frames, having dumped all that lore on the history of anime pornography on you, before I list my favorites, I must make another confession. My history with hentai is simultaneously a blindspot and a poorly-explored endeavor. Some of my recommendations come from the appropriate subreddits, but I’ve made a habit of saving so many posts and links that it’d take longer to find and paste the links into a browser than it would to view it all. As for what I have seen, Reddit’s not the only place I’ve seen what can be classed as hentai. Pixiv, Danbooru, Gelbooru, and even Twitter allow users to view and/or upload porn in some manner, though Pixiv and Twitter require age verification, Twitter especially recently.

My introduction to hentai actually came in the form of ecchi series like High School DxD and Shimoneta (both of which I’ve written about already). Shimoneta had a message about censorship hidden in between all the boobage and panty shots while DxD didn’t exactly have that same message and was merely about angels and devils with a side of T ‘n A, which sounds like the worst possible way to describe the Neon Genesis Evangelion franchise.

Credit: u/thot_patrol117, s/EvangelionMemes

Try not to look for deeper meaning amongst the Eva memes. It’s not the deep. But the franchise definitely is, if you’re willing to take Hideaki Anno at face value.

I believe I’ve said it before that DxD and Shimoseka were gateways to pornographic animanga and I hold onto that dearly. They got the ball rolling by proudly showing Rias’ tits and boldly displaying the consequences of a horny (read: predatory in this context) awakening and thus led me to discover more hentai series. I’ve seen many and read many but my personal favorites have to be as follows:

  1. I Want to do Sexy Things with my Tall Younger Cousin
  2. Seika Jogakuin Koutoubu Konin Sao Ojisan; and
  3. Twin Milf

Admittedly something of a one-shot with an incest angle, the central themes of this plot boil down to a tall girl fetish. The fantasy lies in a shorter male scaling a taller female like summiting Mt. Everest on the journey to her Mt. Everests. See what I did there? It also does away with the cutesy embarassed trope. The two main leads are hardly what I’d call shy, in fact, they both confidently know what they want with hints in the doujin alluding to a history of having done this type of thing. What really reels me in is the tomboy trope of the female lead. Cute and playful, she reminds me of Tomo Aizawa from Tomo-chan is a Girl in some ways. Hardly anything deeper than surface level though so those who wanted some drama may have to look elsewhere.

Created by Kurosu Gatari, it translates to English as Seika Girls’ Academy Official Sanctioned Gigolo. This one does have a plot to go with the mountains and valleys. A man with a friend in debt agrees to share some of that debt to help the first guy get back on his feet, this means he has to repay the remaining debt and to do so he takes a job as a gigolo for an all girls’ school. The test involving sex with the dean of the school, before passing and being allowed to exercise this blessing on a select number of students. The operative logic behind this move is hands-on stress relief seeing as sex is a great way to relieve stress and burn calories.

Each of the girls is unique in their own right, one of them having deep-seated daddy issues that don’t arise until she reluctantly uses these gigolo services herself where she gradually evolves from bitch of the school to stern hand. Getting d[monkeys]ked down by the school man-whore softens her up so much that it leads to a personality change. From punishing a tiny infraction to brushing it off like a levelheaded adult, I haven’t crossed that bridge yet but with so many stories corroborating this, a little bit of bumping uglies does seem to go a long way. For the male lead, he’s drawn like an ugly bastard, but is merely just a middle-aged gentleman facing an unusual problem. Debt he can handle, but feeling like a hooker to pay some of it off over time was the last thing he was expecting. What makes his situation more tricky is that he’s married with a daughter no older than the girls he’s getting paid to sexually pleasure, so life at home gets extra awkward when his side job is to mingle with girls like this to make some extra cash. So if you want more drama than the last entry’s “tall girl fantasy,” have at it.

Created by a master of MILF hentai Tatsunami Youtoku, Twin Milf is exactly as advertised on the tin, identical twin sisters with voluptuous body types. A college student and avid soccer player/fan is neighbors with a thick, busty woman. In one such incident, water leaks down into his apartment where she comes down personally to apologize, only for him to accidentally grope her breasts and realize she put something on very quickly (i.e. no bra). From there, he spills the beans to his best bro who’s stuck with a tsundere girlfriend who doesn’t suffer perverts. Main MC presumably runs into his MILFy neighbor again only she’s more perverted than originally introduced and invites him to f[cannonball]k her in her own car.

It isn’t until after this he realizes she’s a twin and the rest of the series takes off. Like Kurosu Gatari, Tatsunami has a type and it’s a woman so thick the clapping of her ass cheeks alerts all of Western Australia and part of Jakarta.

These aren’t exhaustive recommendations as I have more from the same artists and then some so consider this another gateway that I’ll leave open for you to enter.

Now for those updates: without revealing too much, starting on June 16 and continuing until October, my unit will be travelling periodically back and forth between Fort Bliss in El Paso and a missile range in New Mexico. Thankfully, the first week will only be about three days long since Juneteenth is a federal holiday that I have off, so I can get the next topic out in time. We won’t be there during the weekends to my understanding so until later this year the posts will see a Saturday or Sunday release at the latest. If not, then delays are to be expected.

For the event happing in El Paso, I’m currently writing this whilst I have a ticket to an anime convention in El Paso lasting June 14 and 15 until the evening hours. I don’t exactly plan to write about my experiences in detail as each one is different, but it will be my first one in a different city, having attended one in Augusta during AIT last June. If I do, it’ll be more spur of the moment than regularly scheduled.

Ten Years of Writing

The origins of my passion

A personal anniversary is on the horizon, so to get ready I thought I’d commemorate the occasion by reminiscing on how I went from “struggling to hold a pencil” bad to “Shakespeare School of Literacy” decent at writing. Bear with me folks, because the path is a long and winding road with unpredictable twists and turns that won’t make sense unless you’re paying attention. So do pay attention; there’s a test at the end.

Before we begin let’s get confusing. Although I acknowledge the general start of this writing journey as October 2013, the closest I ever got to writing would be in July 2012, and my familiarity with programs like Microsoft Word precede that even by a few years as schooling in the 2000s saw the potential of computers in class and wanted to start us early on those Mac desktops.

These things were everywhere when I was 8.

Writing falls under the umbrella of creativity, so something needed to inspire the writing journey, right? Right! And where was the inspiration? Lego bricks. The building blocks made about 40% of my childhood, with the others being video games and the playground. During one summer a friend and I were playing with the Legos I had set up on the coffee table. At the same time, I was a big consumer of stop-motion videos on YouTube and was momentarily part of that brickfilming community myself.

For those unaware brickfilming is a subset of stop-motion that in any capacity makes use of Lego bricks for set pieces, actions, scenes or what not. There have been several over the years, but a pioneer in the concept is Australian filmmaker Lindsay Fleay who between 1985 and 1989 made one of the first brickfilms: The Magic Portal.

Channel: Keshen8

Despite the huge production time, it still only clocked in at around 16 minutes, with subsequent brickfilmers over the years making longer films in even less time assuming no technical difficulties are around to ruin anything. A quick Google search and the Wikipedia page for brickfilming will tell you that Lego had long seen this potential and are said to have started this themselves as early as the 1960s, though feature length films made entirely or partly through stop-motion.

For the connection to my writing, it was my intense viewership of brickfilmers on YouTube, some of which included custom-made Brick Arms (some of which I had myself), or plastic molded to the shape of any given gun or sword that can be made that gave me an idea to try animation in June 2012. I saw a moderate amount of success for a beginning YouTuber at the time, though other responsibilities kept me away from my makeshift film sets. After Christmas Eve 2012, I tried to keep it going but with New Years’ Day 2013 walking away and high school proving more important, there was just no way.

Still, the interest in animation, tedious and meticulous as it was, was there. Most importantly, the storytelling element was what I remembered the most. I had made a minifigure, or Lego figure, that I’d gotten somewhat (read: quite) attached to. I made it with one of the blue leg pieces, a trench torso piece, a black scruffy hair piece, and one of the heads with the angry-looking face, but wearing orange-tinted shades. If I were to draw him again today, he’d be drawn with blue jeans, a light blue dress shirt under a blue overcoat, messy black hair and the same light orange-tinted shades. If that description makes you think of an underlying symbolism of any kind, try not to overthink it. Keep in mind that, this character was designed when I was around 13 or 14 between middle school and high school, so there might not have even been a real meaning other than, “it looked cool.”

Not this intense or exaggerated, but around a halfway point of sorts. When it came to developing him further, writing was amateurish and my taste for the craft was underdeveloped at the time. Being inexperienced here, I dove headfirst by putting it all in a notebook that I wasn’t using for anything important. I’ve gone through many of those, occasionally scribbling in the blank pages and whatnot. The earliest form of this story I have in print isn’t exactly the earliest form of the story as a concept.

As time went on, and I started to write more for my English and history classes (projects, reports, and essays, etc.), I’d begun to learn more about themes and motifs and other terms to help craft better versions of the story about the man in the orange-tinted shades. Between 2014 and around 2019, I’d written and rewritten this manuscript, with each successive manuscript getting longer and more complex than the last, developing a more mature tone over time.

Through all of that, I’m glad to say that the latest version of the story is arguably the best version I have of it. Subsequent manuscripts of mine would also go through rewrites and edits of their own, although not as many as the first one, not for so long, and partly due to technical issues with aging computers and/or computer components.

Fortunately, Microsoft’s good idea fairy had a “lightning in a bottle” idea, and made Microsoft Office available on mobile. So if you trust OneDrive enough to try your clothes on only once, you can craft a chapter or two on your laptop/desktop, and when duties pull you elsewhere, you can add more to the manuscript on a mobile device that allows for it. Personally, I favor phones over tablets, but my experiences writing more than YouTube comments and text messages with my giant hands make it somewhat unbearable. I don’t really like tablets all that much, but if I had one on hand and some time to kill in between other responsibilities, I could edit and add some more to the manuscript and then when it syncs up with what’s on the real computer, it’ll add that and I can continue with no serious issues.

Creativity was often the barrier, which just seems like the typical creative person thing to say for why I do or don’t do X, but it’s true. Those of you who can’t see yourself as an artist or painter or musician, etc. creativity comes whenever. It’s like dealing with a spontaneous cat; you never know when it will greet you, but you’re delighted when it does and you want your time with it to be meaningful before your train of thought derails.

Art doesn’t march to a schedule it comes whenever and goes whenever. Sometimes the sparks start a fire, other times it doesn’t and like a pyromaniac, you want to make use of that fire before it gets put out or burns out. Inspiration also plays a major part in creativity. Find any modern artist and they’ll list off influences, many of those influences, if they’re still around, will list influences of their own and then some.

For me, the tenth grade was a turning point in my writing journey. Part of the inspiration came from some of the books we read and class and had at the time, it was clear that I had a certain preference. Of all the books to introduce me to the coming-of-age genre, I would’ve preferred anything else besides J.D. Salinger’s Catcher in the Rye. Short rant: Holden Caulfield is a [donkey noises]. Fortunately for me, I got a better showing of the genre in Stephen King’s novella Stand By Me. Matter of fact, this and select others were how King became one of my favorite authors.

At the same time, during a reading of F. Scott Fitzgerald’s The Great Gatsby, my tenth grade English teacher assigned us to write a short snippet in either the point of view of an existing character or we could make one up. I chose the latter, creating and writing from the POV of a performer in Jay Gatsby’s mansion. This was the paper that netted me an A+ in that class and admittedly I didn’t move on from that for a while. I’m tempted to say I never did as of writing this. Although I was never a bad student, my teachers always wanted me to shoot for the stars, but I kept dragging my heels while the more analytic brainiacs in math and science thrived. But this was where I was encouraged to let my creative side go nuts, so I did. As another humblebrag, I did exceptionally well in my art class, hardly ever dipping below a solid A+. The conclusion to draw from that is structured tutorials are a limiter for me, but with a green light and the simple words “The sky’s the limit,” nothing is gonna stop me from channeling my inner Claude Monet.

Honestly, I’m more of a Van Gogh kind of guy.

From around 2015 to the modern day, I just kept on writing and rewriting those manuscripts. For the first one about the orange shades guy, with help from family, I had it copyrighted in 2018. All that was left was to edit and find a publisher. The publisher proved to be quite tricky. In general, you’re not supposed to pay the publisher; that’s a scam. The author gets 7/10 of the royalties and the publisher gets the rest. I do have dreams one day that the manuscripts graduate from file to physical book on a shelf, even now as I draft a potential fourth draft while editing the third one.

This method of mine is probably not unheard of. Stephen King is so prolific, that if he spits it’s a bestseller slated to receive its film adaptation in the next three years or so. And the olden days where books could serve as a writer’s sole source of income probably needed to be written with the speed of Barry Allen. Fame and fortune not guaranteed while the author is still alive, but at least Poe and Lovecraft have their appropriate credits.

Towards the end of college, and even now, I’d been looking at a variety of outlets that have a strong writing market. For the anniversary of this blog, I plan on giving a sneak peek of a blog I had on Blogger from February to December of 2021 with a brief hiatus in between because I was in the Army. As a mild spoiler, it… went off the rails and no one can be bothered to clear the debris.