Tag: anime

Genshiken: First Impressions of the Otaku Anime

Tiberius1 Comment

Before…

I’m still hard at work at doing the research necessary before I fully write about Genshiken as I’ve only watched two episodes so far. By the time I’m done (ballpark estimate: mid-October at the very least, god willing), I hope to have completed most of the first season. For now, allow me to supplement you with a general impression based on the first two episodes.

The manga started publication in Monthly Afternoon magazine in 2002 in Japan before getting licensed by the Kodansha library for release in English. In online discussion, otaku has fallen out of favor in recent years mostly supplanted by the word weeb but for the time frame we’re observing, otaku would make sense for the series as anime was breaking ground in the U.S. and U.K., but not nearly enough to get the worldwide traction it has right now. It was an underground niche back then; otaku (country of origin notwithstanding) were to the general populace what JoJo’s Bizarre Adventure were to otaku.

Genshiken gives a somewhat appropriate insight into this by way of multiple perspectives: the hardcore otaku who can boast to have the original Astro-Boy manga and the outsiders who believe everyone grows out of their hobbies eventually. Side note: if that were true, then we wouldn’t know people who’re still reading Harry Potter or watching Star Wars. Source: me, emulating the older Mortal Kombat, God of War, and Naruto games.

The name in Japanese is a shortening of the full title: Gendai Shikaku Bunka Kenkyukai or “The Society for the Study of Modern Visual Culture.” If reddit was around when the manga debuted, these guys would be gods on the anime subreddits. Speaking of which, a clip of the second episode was how I found the series. Going over the English translation of the name, you get the impression almost that the runners of this animanga club think themselves high and mighty when they’re just another flavor of nerd. And as a nerd, they kinda stopped being special around the early-to-mid 2010s.

It’s easy to say that now since anime has gotten pitifully easy to access, but going back to the late 1990s and early 2000s, your best bet was the VCR or somehow knowing the guy who makes regular excursions to Shinjuku’s and Akihabara’s electronics zone. So I can excuse the elitism in that regard. The central characters in this club mostly fit common stereotype of the era: Harunobu Madarame, the eccentric leader who will defend his tastes to the ends of the earth no matter what; Soichiro Tanaka, the less eccentric, but still enthusiastic one; Mitsunori Kugayama, the gentle giant who speaks with a stutter; joined by newcomers to the club, Kanji Sasahara, Makoto Kosaka, and begrudgingly Saki Kasukabe.

You know, it’s a 2000s anime if a girl is on the cover, even if thematically she’s an improper fit, which was why I claimed that Saki reluctantly joined Genshiken. Slight spoiler: the first episode shows her having a smoke in a train station (something I believe Japan illegalized over time) and telling some dude to get bent before getting all giddy after seeing her childhood friend, now love interest Kosaka. Where things diverge is when Kosaka reveals that he has since become a weeb and encourages Saki to accompany him to the Genshiken club, learning about anime in general and some of Madarame’s tastes as a whole.

Madarame is who I best describe as anime Twitter’s unacknowledged/ignored id. Western anime Twitter has a giant beef to roast about fanservice in anime, but to hear it straight from the horse’s mouth, there is nothing better than fanservice.

Yes, I know the context behind both of these characters. This isn’t a criticism or anything, I just thought it was funny.

It does illustrate what Saki takes issue with the most in the anime community, and it’s a bit of zombie problem that from the outside looking in you’d think had largely disappeared in the online discourse, but has been eternally mummified and immortalized in several online spaces. Fanservice around women also gets a bad rap because of this.

So at the outset you know that Saki is not the target demographic for what these guys like but puts up with it because her love interest is heavily into it. Not to the extent that Madarame is, but he doesn’t feel out of place in Akihabara or the other popular anime hangout spots. With discourse surrounding the series itself being light (at least in the west, Japanese social media might give me more insight if the weblinks still work), the most I have to go on are the anime itself, its manga, and the accompanying Wikipedia page. It’s described as a Seinen series, which makes a lot of sense as none of what the characters like would be suited for a Shonen demographic.

From what I can gather, 21 volumes released between 2002 and 2016, at least three seasons, a spinoff and an OVA all tell me that it was popular enough for all of that as well as foreign dubbing and licensing by Kodansha themselves even though it has a lot of the hallmarks present in something like Azumanga Daioh.

A slice of life series about a group of friends and they’re daily lives in a school setting, it’s original Japanese name largely untranslated or unaltered, but what splits the two series apart is that as a slice of life series, Azudaioh is very easy to take out of context and make the most baked memes and jokes about as any YouTube compilation shows evidence of, whereas Genshiken takes itself more seriously. Far from the “cute girls doing cute things cutely” subgenre of slice of life, Genshiken is more about the subject of… itself if you think about it. You or someone you know belongs to a group of weebs who talk about this regularly–why not have a series that’s a mirror of your hobbies?

As it stands, I don’t know enough yet to speak definitively on the design philosophy of the show, but the Wikipedia article explains that it’s about the characters moreso than what they do. An assertion I’ll hold it to once I’m done with the first season. For now, short of tracking down the physical media and the means to play it, 9animetv.to and Hianime are my new methods of watching the series and you’d be a fool to not use these reliable resources.

Giving Classic Anime the Rewatch it Deserves

Tiberius1 Comment

They’re classics for a reason

Before we start, quick context: due to a technical issue with attempting to upgrade my computers, I was briefly unable to recover my files until I resynced everything with OneDrive, a service I have a love-hate relationship with. I’m still in the process of sorting the problem out with roughly 90% of my files saved due to OneDrive, one of those being my notes for this blog. Based on what I had scheduled next, it was supposed to be a review of the 2004 anime Genshiken. But due to work presenting me with some interesting surprises, I haven’t been able to relax and set aside some time to view it. I’m still looking for an ideal site to view anime and its a toss-up between Aniwatch, 9animetv, and Hianime, joined up by whatever no-name YouTube channel is brave enough to upload full episodes of insert 20-year-old anime here. I’ll try my best to get at least a few episodes in before I put my opinions down, so for now, have a supplementary post: classic anime!

I know I could’ve put up a picture of the actual anime, but with 25 years on air, I couldn’t resist. One Piece is very memeable. See r/MemePiece for more details. Also, I’ve gotta say that unlike most blogs where I review part, most, or whole series, I wanna make this an opportunity to announce a personal campaign of sorts. That is, to watch a majority of several classic anime that are known the world over. Two of them so far are One Piece and the remaining episodes of Dragon Ball Z, the Kai dub.

Others are in the running to join this grouping, but those are the two that come to mind for now.

There’s no deep reason for wanting to do this, although lately I’d been reading my usual pick of manga on MangaDex, and I thought I’d find Toriyama’s magnum opus. Sure enough, I did. I’m not sure if it’s well-known in the west, but the original manga isn’t exactly split from Dragon Ball. We acknowledge Z as a continuation of the original manga, but it’s all rolled into a giant series unlike the anime.

It might be due to how it was licensed in the west, but although Z is seen as a sequel to the original Dragon Ball manga, Toriyama and his assistants put subtle hints that Z might as well be a part two of sorts, like Naruto: Shippuden or JoJo’s Bizarre Adventure dividing into different parts. Keeping this in mind made it easy for me to go straight to my favorite saga in Dragon Ball, the Namek saga.

When I was a kid and the series was redubbed in Kai for the twentieth anniversary of the anime adaptation in 2009, most of my exposure to Dragon Ball was through the video games and anyone who was a kid/pre-teen, etc. at the time can attest that a fighting manga like Dragon Ball has a Library of Alexandria’s worth of video games. Some are faithful adaptations of the series, others put their own spin on the same story, the rest worked with what they got and a fourth category got creative, for example, making a card game out of the series.

There exists a ROM of this somewhere, and I want to at least get to the first fight between Goku and Vegeta.

I owned a few of the games myself and with more and more getting released long after the Final Chapters, GT, and Super have all gotten their fifteen minutes of (screaming) fame, Dragon Ball has a hold on the cultural zeitgeist of the early 1990s and beyond. When I was a kid, the Namek saga felt like the home stretch. One more push and the remaining Z fighters will have achieved their goals of recovering the original dragon balls and reviving the others. The only things standing in their way was Vegeta and the forces of Frieza. Both men hate each other and wanted each other dead, Frieza certainly wanted Vegeta out of the picture with his rebellious streak and them both wishing for immortality.

From a writing standpoint, it of course has some of the usual tropes found in other anime of the time and unique to Dragon Ball, but if you’ll excuse the comparison, let me know if this sounds familiar: three parties happen upon a treasure said to bring untold riches and get in each others way to have it, dealing with the consequences that follow the acquisition of this wealth. Pick your favorite story arc from media to fill in the blank; I’m going with a specific plot point from Grand Theft Auto IV and it’s expansion packs: The Lost and Damned and The Ballad of Gay Tony.

I make this comparison because like the Namekian dragon balls, competing forces within GTA IV’s storyline are after another prize which all things considered also bring bad luck. It’s not uncommon for crossover events in the GTA series, in fact the series is famous for it. Vic Vance and Tommy Vercetti nearly close a deal before Riccardo Diaz sends gunmen to snuff them out; CJ wins a race against Claude the Silent before getting some property in San Fierro and in GTA IV’s case, Niko Bellic, Johnny Klebitz, and Luis Lopez all cross paths over one simple thing: blood diamonds. Going by the name it took a funeral pyre to dig them up and the rocks aren’t done taking bodies. Also, blood diamonds are a real thing, with West and Southwest African countries being the most likely to have this problem.

Like their real-life counterpart, in the games, the diamonds were smuggled into Liberty City where the main employers of the three protagonists unknowingly compete with each other to get their hands on them for their own ends. In a somewhat similar circumstance, three foreign parties land on a distant planet to uncover a set of dragon balls for their own ends. But unlike GTA where the trio are all antiheroes, there’s a clear line of good and evil in Dragon Ball, though Vegeta’s convenient alliance with Gohan and Krillin complicates things for him.

I told you these shows were memeable.

Favorite saga it may be, I admit I’ve had trouble keeping up with Dragon Ball ever since Super was on Toonami and without meaning to disparage the network, while it’s done wonders to bring anime to the west, more than once I’ve had a few conflicts with their scheduling in the past. Yes, I know outside circumstances can interfere with schedules, but come on. At least try to fight to keep it consistent at least for the season. And while we’re on the topic of Toonami, will they ever be allowed to air Mob Psycho 100 Season II? Ever?

Anyway, while I’ve been getting my fill of Dragon Ball once again, One Piece, like the titular treasure, surprisingly is difficult to view. Of all the anime I’ve pirated, One Piece hasn’t been it. Most of its western publishers have done a bang up job to host the series, but Crunchyroll proves to be the only one capable of lousing it up. All that time spent bringing your site to the 21st-century, buying up the competition, and nabbing bigoted localizers with an activist mindset, but what do you have to show for it, Crunchyroll-hime?

I highly doubt these afflictions are in One Piece since there is no ruining peak fiction, but the most recent shows that they host on their site do nothing to boost their reputation as of late.

For One Piece though, like Dragon Ball it was a show that made the rounds at school and among my friends in the neighborhood, especially with 4kids telling us without telling us how inexperienced they were with anime, but to their credit, anime was still a niche in the early 2000s. Everyone knew who Naruto was and is these days, but who at the time in the U.S. could name anyone in Azumanga Daioh?

In all seriousness, One Piece is definitely not hard to watch. Toonami had been airing it since it first debuted, bar a few breaks in screen time. Guess it’s only fitting now that I pirate the pirate anime. It’s been yonks since I’ve seen it, but from what I remember of it (a mix of the actual show and memes) moss-haired swordsman gets lost all the time (probably looking for more minorities to hunt), Nami disappeared for a bit before returning to the crew, Chopper is the series cowardly lion, Nico Robin has a dark and complicated past, Boa Hancock wants Luffy but he’s not about that life, and Brook is the tallest skeleton on Earth. Forget a 3-meter statue of the guy, just bronze his bones when he’s dead, put up a sign and call it a day.

That paragraph there is gonna piss off all the One Piece fans. With so many episodes and so little time left in the Year of Our Lord 2024, even if I speedrun, I’m not gonna get through all the episodes. And yes, I know One Pace takes care of the Shonen Recap Syndrome problem it has, similar to how Kai shortens Dragon Ball Z substantially. I think before I sit down and watch Genshiken, I’ll test which is the better way for me to watch One Piece.

Been missing these, this week’s YouTube recommendation is Preston Stewart.

https://www.youtube.com/@PrestonStewart

Similar to Ryan McBeth or William Spaniel, Preston Stewart is another channel run by the man who lends his name to the channel. An Army officer in the Reserve, his channel covers national security, world affairs, and the military in as unbiased a manner as possible. He doesn’t focus on cybersecurity like Ryan does, but there is overlap in their respective coverage of world events, especially with disinformation and overseas conflicts like Israel, Ukraine, or Taiwan. Consider this a completed trifecta, considering I recommended the other two in posts from last year. Factual, in-context reporting on real-world events. Need I elaborate further?

One more before I go:

And a bonus:

Credit: u/Dilly4Dall, r/azudaioh

Anime, Piracy, and an Age-Old Threat: Companies

Tiberius1 Comment

Viewing anime gets harder as time progresses

Earlier this week, it come to my attention that a pirate site I frequent called Aniwave was recently taken down.

Aniwave.to to be specific, other copycat sites are up and running, but for how long no one can say for sure… unless one of the web devs for those sites is currently reading in which case, hi! I’m a huge fan. Keep doing the lord’s work.

Aniwave.to going under is a huge blow considering it was purported to have one of, if not, the largest database of free anime at over 12,000 series. Regular watchers know that I’m a champion of anime piracy for a lot of reasons boiling down to practicality. Everyone and their great-grandmother has their criticisms and concerns over companies like Crunchyroll essentially monopolizing the anime industry, especially since they ate Funimation this year, Crunchyroll itself being bought by Sony three years before that. Damn, corporate consolidation is a b[slap]ch, isn’t it?

The one saving grace here is that past users of either have their old archives saved, so you can go back and look at the degeneracy you watched like five years ago (Shimoneta and Highschool DxD for me), but the point is fans are running out of options to view their favorite anime free of hassle. Crunchyroll is a mess of advertising for services and products few people asked for, and the library is far too small to satisfy those of a niche taste, like myself.

I make a habit of introducing you all to series you probably never heard of, partly because I found entertainment in it and partly because they can’t be found on the usual streaming services. HiDive, Crunchyroll, Hulu, and others all have their own shows, but often times even for legal reasons (or the creator being an oddball), some stuff is deliberately made impossible to access. Some of the stuff I’ve written about on this blog is thanks to those who take the plunge and go out of their way to search for these series. I get that sometimes copyright law gets in the way of a good anime session and your favorite series is at risk of becoming lost media (like the JoJo’s Bizarre Adventure film from 2007) or are lost media, forever wiped from collective memory, especially if there’s not a lot of marketing behind the series at the time, but it’s a damn shame that the task of archiving is left to fans who are that dedicated to some of the more obscure series.

This isn’t limited to anime as there are a handful of western series and movies that are poorly archived assuming an attempt was made. Most films from the early 20th century are likely forever lost due to faulty viewing methods at the time. But when it comes to preventing this problem and preserving media, copyright laws and the companies that study them closely will put piracy sites through legal hell which is why some of the series I’ve recommended may not be available anymore. Apologies for any dead links that are still up.

The discussion is healthy in places like Reddit and 4chan where they tend to put the blame on companies like Sony fighting for multiple different properties. If you recall, a few years ago, they got into it with Disney over the rights to the Spider-Man franchise, which led to a tense, uneasy deal where Sony continues ownership of the films while Disney markets everything else. It was a s[thwip]t show.

Canonically, Ben’s been alive and dead twice. Even if it led to an entire Spider-Verse (holy f[yamero!]k there’s a lot of those), Deadpool and Wolverine proved that establishing a multiverse isn’t always what it’s cracked up to be.

Fortunately and obviously, there’s still ways to combat this: other more durable pirate sites, hosting your own site, torrenting (which is a pain in the ass), but this consolidation hurts western anime fans with options for stress-free anime viewing getting increasingly scarce. Physical media is on its deathbed, and fewer studios are putting their series on hard copies these days. I doubt all of them are doing it willingly and likely have their reasons for making this move especially at the breakneck pace we’re seeing. There might also be another reason I haven’t thought of as the viewer looking in from the outside, but this reminds me of an Extra Credits video on why demos lost favor about a decade ago.

Part of the argument for why this happened in the gaming world is that gamers disincentivized devs from including demos in recent titles. Basically, with access to small section of the game, a handful of outcomes makes or breaks the future of the game. If the demo sucked, then the player might not be incentivized to get the full game on release; or if it was awesome, hype may surround a game that would turn out to be mediocre or if it lives up to its reputation, financially the developer doesn’t see a very large return on investment.

For anime, newer technologies are a high risk, high reward endeavor. Golden Kamuy was dropped yonks ago by those who were turned off by the CGI bear fight, but those who trudged along found a peak viewing experience with memorable characters and an interesting plot. Some may have gotten tired of waiting and bought as much of the manga as they could (or continued on MangaDex). I can see why companies and studios would pick and choose to show the anime that are famous instead of risk allowing access to niche markets, especially to minimize the risk of commercial flops.

But to argue in favor of allowing unfettered access to all anime produced, I offer two words: cult following.

Shoestring budget or high development cost, there’s a series out there for everyone. Studio heads and execs may be shortsighted or too cautious to see a property’s reputation grow over time, but if/when it does it can reinvigorate the conversation around the property, not all of it centered on associated products. I don’t know about you, but The Warriors getting a video game in 2005 published by RockStar was a good way to introduce a new audience to the franchise. Reboots also work, but it’s too easy for those to get out of hand like with Spider-Man or Tomb Raider.

It all looks like a tall order, and those of us without the technical expertise to torrent can only watch as the gods fight each other in the heavens, but while that’s going on, there’s other sites up that are picking up the slack. There’s 9animetv.to as well as aniwatchtv.to which seems to be undefeated in piracy if this meme is to be believed.

Credit: u/SpiderGeneralYT

Remember all of those? Good times.

Likely an exaggeration–as I said, more will replace what aniwave was–but if this keeps going on, then the future is pretty bleak with site after site getting taken down.

Sorry for the grim ending, but for a look on the bright side, someone else is currently updating a list of available sites to still watch anime if it hasn’t been done already. Only one way to see now if the sites listed are still up and running flawlessly.

Undead Unluck Anime Adaptation

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From page to cel

Ah, f[swords clashing]k it. I’ve been putting it off long enough and my desire for perfection is clashing with my schedule so, I’m bringing the long-awaited opinion on the anime adaptation of Undead Unluck. Still got a few episodes left in this season, but I’ve reviewed anime halfway through before so there’s no reason to hold this one to a higher standard.

Immortality Misfortune is the story of a man who’s chronologically so old, his birthday is on a different calendar system going on a journey with Japan’s millionth unlucky female protagonist on a quest for the best death the world can offer. It was picked up by Viz Media in January 2020 for weekly distribution in the west and I’ve been keeping up with it leading up to my first try at Army basic training. I’m still following along to the best of my ability, and yes I still recommend the manga.

For the anime, it was picked up by David Production, the same craftspeople responsible for bringing JoJo’s Bizarre Adventure to stunning life after 25 years in limbo and Fire Force, only for that to be delayed by a few weeks due to the tragedy at KyoAni in July 2019. It’s not often that a manga I follow closely gets this treatment, but the industry seems to be enjoying a boost as of late with more and more manga I find getting adaptations later. Speaking of which, The Elusive Samurai’s next episode should be airing right now so a review of that will arrive in time. I will try my best not to delay it as long as I’ve done with this one.

Considering the year of release of the manga and that of the anime, Deathless 13 went through a few changes since it takes place in the modern era. COVID had a slight influence on the first episode as the female MC, Fuuko Izumo, was all by herself before attempting to try her own hand at death, whereas in the manga, there was a crowd gathered attempting to stop her. Then deuteragonist, Andy, shows up attempting to do the same but in style.

The series likes to have a ton of fun with body horror considering the premise: a select group of people possess supernatural abilities that negate the laws of physics. What anyone else can do normally, these “Negators” can do the opposite, hence the abilities like Untouch, Undead, Unstoppable, Unchange, Unmove, etc. No, it doesn’t match with how English works, but longtime weebs know the difficulties of accurate localizations.

A small group of Negators, known as The Union, have made it their mission to uncover the mysteries of the world they live in by challenging God himself. Many obstacles stand in their way, those being the UMAs or Unidentified Mysterious Anomalies/Animals. These beings have an adverse affect of some kind on the rest of the planet and are due in large part to The Union’s performance in the field. If successful, the repercussions are negated and things return to their normal state; but if they fail, the consequences become part of nature, in some cases permanently. Sacrifices tend to be made in order for The Union to reach their goal.

Having followed the series for the better part of 3.5 years, I recall some panels that would look astounding if animated because the action within is limited by the medium it originated from.

Of course, not every manga has that luxury, as Berserk fans know very well. When I learned that DP would be captaining the ship, I recalled their expertise in animation with JoJo, Fire Force and several other series and rested easy that night confident that their ethos of quality animation would not have to suffer. The studio promised us the Sistine Chapel once again and their hard work has paid off. Better yet, no one was breathing down their necks to meet an arbitrary standard so prepare yourselves, people. For the chefs have cooked another perfect dish.

I personally didn’t have much issue with the Stone Ocean adaptation, but I understand the argument that there was interference.

DP’s attention to details is one for the textbooks. Watching Andy regenerate severed limbs and such is phenomenal, and whatever confusion there was about how this world works is enhanced with the motion of all the pictures. No more flipping through pages for visual learners.

Having said that though, much of the series makes it a candidate for the mystery genre. Discoveries are being made all the time, characters keep their pasts well-hidden, motives change regularly, and the changes that influence the world can only be explained by a handful of people. I’d say it meets those prerequisites well with what I remember about it.

I can’t recommend enough that you check out the anime yourself. The manga got back on its feet a while back after a subpar arc, but with the anime adaptation in tow, it’s more than worth the watch. It’s available in dub and sub on Hulu and you already know what I like to frequent.

Haibane Renmei and Mysterious Disappearances: Mystery Double Bill

Tiberius6 Comments

The long-awaited two-in-one special

I put this off for a week so I could do some more research on both, by which I mean reading the Wikipedia page for one and advancing in the manga for the other. Haibane Renmei is but a short 1-cour anime series from 2002. I found out about it from the same article that introduced me to House of Five Leaves a few years ago (along with another one), and without delving into details, a friend of mine challenged me to recommend him some anime he’s never heard of. Well, he didn’t challenge me per se, but I took it as such and I figured I might as well put another brick in this anime wall I chose to build. No, it still ain’t finished.

Japanese for Charcoal Feather Federation, Haibane Renmei starts with a young girl experiencing a very vivid dream about falling from the sky. This being the only memory she has, the theme of the series is that the Haibane–angel-like beings–are named after the dream they had. Shortly after that, their wings grow from their back and they’re given halos to wear above their heads.

It was based on an unfinished manuscript by the same mind responsible for the surprisingly well-aged Serial Experiments Lain, which when it comes to trying to label it, makes it difficult, at least for me. There’s anime that are adapted from manga, which is the most common adaptation style; anime that are adapted from light novels, which is probably the second most common adaptation style; sometimes anime are home grown originals (a.k.a. anime originals), proof that the studios animating them can make something special from thin air; and sometimes anime are adapted from novels:

It’s definitely irregular for a rough draft to get a green light for an adaptation, but it’s not like it’s unheard of. Stranger things have happened in media.

Part of my research for Haibane Renmei involved looking over this blog post from 2017. The writer explains that the cult-classic series has been the topic of such fierce debate over the meaning of the series, not helped by Yoshitoshi Abe’s notoriously enigmatic writing style. As a mystery series, this can be viewed as a double entendre both due to the cryptic writing and because the only source available lies with the writer and short of booking a flight to Japan to ask him directly, I highly doubt he’s ready to share the raw words with a wider audience so the anime adaptation had to make do.

That said, this isn’t the type of Scooby-Doo, CSI, Columbo type mystery series where you’re given a puzzle to solve. It leaves a lot open to interpretation and according to that post I linked above, a lot of it tends to be incorrect. From a writer’s perspective, there’s a fine line between treating the audience like they’re five years old and throwing them out of a plane and expecting them to catch the parachute on the way down.

Is this me being too harsh? Perhaps, but the creative world is pretty cutthroat in a manner of speaking. We criticize ourselves in a much harsher tone than any other critic, yet both the critic and the artist are given a near equal amount of outside exposure so doesn’t that mean we’re both talented groups of people?

Something, something pot calls the kettle black…

I like to think of it as an art house project. I believe the late 90s to late 2000s was the era of moe and this series does something different from most shows of the era. It was the equivalent of taking an extended museum tour and filling out a survey at the end before being released to the gift shop. It’s for thinkers; the door is open enough for observers to take a peek but is neither too wide nor too narrow. If it were too wide, important stuff goes missing, but if it were too narrow then you wouldn’t be able to see the contents very well. It sits neatly in the middle and once you’re done with the series you can walk away with your own interpretations of what you think the series is about. Here’s a link to the playlist. Enjoy it while it lasts:

Channel: Jesse M

From a series you probably never heard of before now to a series you still probably haven’t heard of unless you eat anime memes like black beans: Mysterious Disappearances.

Before I elaborate on this series, I want to get this out of the way right now: giant boobs.

Alright, we’re done with that. Well, I’m done with that aspect. Explaining the fanservice in this series will honestly get redundant especially since both the anime and the manga do that in spades. The first chapter especially ends with an uncensored shower scene (spoiler alert).

As for the rest of the series, Mysterious Disappearances is a blending together of urban legend and centuries-old Japanese folktales. The name doesn’t do the series enough justice. Looking to legends and myths for inspiration, Mysterious Disappearances has it all in droves. The first episode actually drops hints from an old urban legend about the fictional haunted Kisaragi Station. Akidearest explains it further in this video below:

Channel: akidearest

Basically, a few years ago, a Japanese vocaloid YouTuber’s videos spread by way of the recommendation system and the one thing that stood out was that their username and videos were mostly untitled, making use of zero width non-joiners or “invisible characters” read only by the computer. Anyway, the video referenced an old urban legend/creepypasta that only existed at the time on Japanese forums, namely 2chan in 2004. The urban legend in question was Kisaragi Station and was about a woman who noticed the train continued on for longer than usual. She gets off at the namesake station which was left unmapped and catalogs all of her interactions and findings at the phantom station, even wandering the tunnels until she was eventually picked up by a mysterious man who quickly dropped his helpful demeanor once she took the bait. Forums posters eagerly awaited for updates that never came after that.

This was one of several references to Japanese urban legend in the anime. Many more follow as the series progresses. Unlike The Society of Gray Feathers, Dangerous and Disturbing Puzzles has more exposition baked into it. Both the manga and the anime explore the phenomena as they happen. Part of the appeal for me is the urban legend side of things. Fictional or not, these ghost stories tend to be somewhat credible even if they don’t match beat for beat. They’re the fun little stories about things that go bump in the night. The supernatural element keeps me engaged, much like when I was first introduced to The Adventures of Shigeo Kageyama: Boy ESPer.

The protagonist is the big breasted woman we saw earlier, Sumireko Ogawa, a novelist working in a bookstore. Aided by her coworker Ren Adashino and his sister Oto, the trio investigate and confront the sources of the mysteries personally, unraveling their secrets along the way.

One of the main plot devices is a droplifted book picked up by the bookstore owner himself and gifted to Ogawa on her birthday. The anonymous writer catalogued ancient poems from the real-life Manyoshu, a collection of anonymously written Japanese poems going all the way back to the Nara period (circa 750s C.E.). If read aloud, the poems act as a spell cast on the reader themselves provided certain conditions are met. The “spell” can be broken by way of reading the poem backwards, but as shown in the series, when Ogawa does so, she’s able to control the effects of the poems on herself at will.

Other important plot devices are the siblings themselves and the signs that only they can see: yellow diamonds with exclamation points in the middle. They appear whenever a supernatural event has occurred. Once the event has been solved, the siblings are shown to use anything recovered from their findings as payment for tickets back to their own home through–you’ll never guess–Kisaragi station! It all comes together! There’s a lot more to this, though I haven’t gotten that far yet and the manga is still ongoing so it’ll be years before we see where the author, Nujima, is taking this series.

What is certain though is that for those who like creepypasta fanservice and closeup shot style fanservice are going to be intrigued by the blend here. It seems quite ridiculous to highlight Ogawa’s body as the connecting element when Ogawa herself is the protagonist, but the series finds a way to make it work. Rather than fall into the age-old trap of “damsel in distress,” Ogawa being the adult amongst the children here gives her more of a leg up as the woman in charge here. You could argue that she’s technically the mother figure based on this description, but the counterargument to that is that while the three do work together, they’re not inseparable.

Scenes exist with all of them together or just one of them alone or with other minor characters. All of them are well-written with their own goals and desires and none of them feels as though they’re held up by the other. That it’s mainly psychological horror is another plus for me. Honestly, I would’ve been turned off by anything horror as a kid, but now that I’m an adult and I’ve watched a few of the classic horror movies before they were ruined by their own franchising (Friday the 13th, Halloween, Scream, etc.), I realized that there’s still better ways to horror and thriller and Mysterious Disappearances is a better example of that.

All 12 episodes are available on Crunchyroll, but if you don’t feel like watching 12 of the same old advertisements, then you already know what I’m gonna say.

Because I’m behind schedule, I doubt I can guarantee a full review of Undead Unluck season 1 by the 30th, not to mention another topic lined up was pushed back due to the research I did for these two series in this post, so instead I’ll try to get back on track either the 29th (tomorrow) or sometime during the 4th of July weekend. The next topic I have concerns a manga that never got off the ground. Here’s a sneak-peek:

Also, the recommendations should return too.

Azumanga Daioh: A Classic

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Tsukurimashou

Calling back to a recent post, I once again searched for anime to watch on a whim and with how easy it is to pirate and upload on YouTube (for a time at least), my search led me to another series that needs no introduction: Azumanga Daioh.

A four-panel manga series running from 1999 to 2002, Kiyohiko Azuma’s famous series is about a group of girls navigating their high school and personal lives, with occasional peeks into the lives of two of their teachers. Its anime adaptation follows the manga nearly beat for beat in the sense that every episode is split into different segments. Four-panel manga all have the same layout and are most commonly found in comedy manga series like Azumanga, and are not limited only to Japan. Western comics also have the formula down pat if you’ve ever read the comic strips in newspapers.

As far as plot is concerned, Azumanga is a slice of life series under the “Cute Girls Doing Cute Things” umbrella, a legacy of its era in the moe blob of the 90s going into the 2000s. From start to finish, the manga panels have the star characters and their friends doing really uninteresting stuff, but often in a comedic way. The anime is the same, and having seen it from start to finish the anime translates the humor quite well to the small screen.

Channel: DarkDecietNarcissu

But it still requires a working knowledge of Japanese culture and comedy to understand why it’s like this. Going in blind may not leave as much of an impression compared to going in with this knowledge. The cultural barrier was still standing strong in 2002, and a problem one can see at least with the dub is an old bugbear that only exists when trying to view older anime dubbed in English: poor translations.

One of the strongest concerns in the dub vs sub debate online is whether the translators/localizers, etc. can correctly interpret the scenes and localize them for western audiences without doing away with the original context and humor. Numerous examples of poor translations in the early days exist, but one that makes the rounds regularly online is the Pokémon scene where Brock shares his onigiri rice balls.

By now, everyone has seen onigiri. When it comes to cultural boundaries breaking apart, food also plays a role in that–not just language or history. The faulty dubbing issue isn’t as persistent as it was back in the day, but the concern still exists for many anime fans in the form of internet/video game slang showing up in the subtitles. Personally, I see why this specifically can ruffle some feathers since more and more people watch anime these days and may not always be the same people browsing social media regularly.

From my perspective, Azumanga has a few of these issues here and there, but they didn’t stop me from watching it all the way to the end. As a matter of fact, this series and Azuma’s other series, Yotsuba to!, are a pair of internet darlings. The off-color humor in both series is a source of numerous memes and no-context compilations of the funniest moments from the Azumanga anime due to the style of surreal comedy employed.

Channel: Brolita

Humor like this can show the author’s attention to detail, especially when a seemingly unimportant gag or detail returns in a later episode or two.

Of course, the series isn’t just a barrel of laughs from start to finish. The characters all share intimate moments between each other and in their own personal lives. The character, Yomi, for example is featured in the opening weighing herself, highlighting an insecurity that gets light in the series. Chiyo, being the youngest character, has big shoes to fill with being gifted enough to attend high school at the age of 10. Osaka, real name Ayumu Kasuga, is the outsider, the awkward round peg outnumbered by a bunch of square holes. Her nickname is based on her home city of Osaka and the general perception non-Osakans have of the locals in that prefecture, sorta like how in the U.S. everyone has perceptions of everyone else based on what state they’re from.

Little moments like these help to flesh the characters out and with a small cast to work with, Azuma wasn’t as bogged down trying to give everyone the time of day. This doesn’t necessarily mean that smaller casts are better, but that it takes real care to ensure everyone in a work of fiction is given a piece of the pie. It isn’t always perfect and it doesn’t always need to be as long as all loose ends are tied up. Thankfully, the details in the series are all easy to keep track of through easy-to-remember clauses: one likes animals and tries to pet a finnicky alley cat; one is extra hyper and loaded with energy; one is prone to zoning out at random; one is a sports fanatic; and the list goes on.

Azumanga Daioh is the type of series that one can sit down and relax and have a few laughs while watching these girls go through high school. Its last episode is a neat and tidy conclusion that offers thanks to the viewers as a final goodbye, though I see myself going back for little things in the show.

If the playlist was still available in the English dub I’d provide a link but sadly, the channel that had all 26 episodes dubbed has been removed as of writing this. There still exists the subbed versions on YouTube and the good old-fashioned eyepatch wearing, peg legged, hook hand approach to viewing this series.

With any luck I’ll finally get done with the Undead Unluck anime and provide my thoughts. I’ll do what I can to have it out before the end of the month.

The Elusive Samurai Anime Adaptation Confirmed

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A manga I’m following is greenlit

Long time followers of this blog may recall when I reviewed the manga The Elusive Samurai or Nige Jouzu no Wakagimi by Yusei Matsui, the same man responsible for My Teacher is a World-Ending Tentacle Monster?!

The Light-footed Hojo debuted in January of 2021 and I had been following it for months leading up to my first enlistment. Even now I still read it whenever I get the chance and a lot has transpired within the manga. Enough that there’s a whole time skip arc after 3.5 years in publication.

Now I come to report on an update regarding the manga, in that it joins my small but not insignificant list of manga I’m reading that is also getting an anime adaptation. So far, that makes this the fourth time it’s happened, the first three being, Demons Deserve Death, Gyarus of Hokkaido and Immortal Misfortune.

Channel: AnimeWakana

It started with a teaser sometime last year around the same time I actually reviewed the original manga before hibernating until now. With more time to simmer, it was now revealed to us further that the studio meant to bring life to this manga is none other than CloverWorks, the same studio that brought us many a work including but not limited to Bunny Girl Senpai, Spy x Family, Bocchi the Rock, Dress Up Darling, and several of the Fate adaptations.

An impressive repository of series to check out, right? That said, even godly studios have their off times and CloverWorks has made a few mistakes. We can each point to a studio and wonder what went wrong with XYZ and the number one anime to get brutally slaughtered without sound reason is:

An interesting cutesy horror story comparable to that of Made in Abyss, and interestingly another one I skipped over yonks ago to get to other manga I was and am still reading, Boruto and My Hero Academia: Vigilantes being among them.

I did watch all of season 1 when it premiered on Toonami years ago and I was planning on catching up with season 2, but knowing what became of that by word of mouth, to do so would be to waste time spent on other anime that’s worth my time. Namely:

I’ve still not started Season 3 yet, but now that it’s concluded, I can watch at my own pace.

For years since it’s conclusion readers have wondered why The Promised Neverland’s second season was so lackluster and divorced from the manga. I also occasionally try to look for answers and the most I get is mild speculation. I can’t say for certain how tight-lipped studios can be or will be about these sorts of things, especially Japanese studios, but with the news that studios like MAPPA have developed a crunch culture not seen since Team Bondi’s efforts to burn the candle at both ends or ufotable pulling an Al Capone tax-wise, there probably aren’t that many things besides language and traditions that separate Japanese animation studios from western ones.

Having said that, CloverWorks is one of the best studios in production today, standing tall with KyoAni, Pierrot, and David Production, and with more successes than failures to boast, especially in recent memory, I’ve no reason to believe CW will louse this up, even through malice, though a more mature way to look at it is that weirder stories have come from the animation industry and if it happens during the production of The Last of the Hojo, I’m damned sure gonna write about it. Bet on it.

For now, the scheduled date is July 6, 2024. I will save a spot for a first impression.

Date A Live: On a Whim Again

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The life I live is watching anime with friends…

…and I can’t wait to do it on a whim again. I’m not apologizing for that Willie Nelson reference.

Date A Live honestly needs no introduction. It’s a series that I’d heard of for a couple years prior to actually watching it only to hear of a fourth season planned last year while I was already six episodes into the series.

It began life as a light novel with a run from March 2011 to March 2020, exactly nine years of writing from author Koshi Tachibana. A sci-fi fantasy romcom whose anime adaptation was released in 2013 and whose fifth season debuted in April of this year. Funny that light novels from the last decade are going strong in the 2020s.

So what’s Date A Live really about? Breaking it down by its genres, the sci-fi aspect comes from the world itself. It’s somewhat set in the future though no specifics are given so you the reader/viewer may fill in the blanks how you see fit. Spatial quakes or tremors in the solar system start affecting earth in a very negative manner, by way of leaving behind giant craters in the earth, one of the most notable being somewhere along the Eurasian steppe. Bad day to be wandering around Kazakhstan that day.

The in-universe explanation for this is that the space tremors follow the arrival of beings known as Spirits who all appear in the form of girls around the same age as the main character, Shido Itsuka–and protagonist powers aside he does have a crucial role that I’ll get to later.

Further, these Spirits possess abnormal powers, not the least of which involves the likes superhuman strength and devastating abilities the likes of which would make Babidi from Dragon Ball very, very jealous–and also ties in with the fantasy aspect of the series. There are two ways to combat these Spirits: one is by way of actual combat; and the other adds in the romance aspect and our main protagonist, Shido Itsuka.

Now that we’re putting two and two to get to four, you may have predicted that Shido’s task in this series is to romance the Spirits and prevent utter bedlam with the power of love, and you’d be right. The harem aspect is well advertised and if you know a few things about the harem genre in animanga, then you’re probably also aware of the main selling point: fanservice. Flash a boob once or twice, get some cheeky panty shots in, throw in an accidental pervert with multiple different -dere types and voila! you’re cooking a mean beef stew.

However, what I think separates Date A Live from contemporaries of this type would have to be the individual girls themselves. Even as I’ve only just wrapped up the second season of the anime, I’m seeing more than just comedically sexy eye candy. And I’ll even throw a bone to Shido himself. Rather than be just the generic harem protagonist who behaves as a stand-in for the audience, there is a personality to the boy for once. He’s shown to be persuasive and caring, especially since his position in the series is that of nonviolence. He’s basically playing the pacifist route in Undertale.

Meanwhile, the other main adversary present aside from rogue Spirits yet to be wooed by our hunk Shido is the Anti-Spirit Team. Similar to Japanese Special Forces, their purpose is to find and contain the damage the Spirits cause, a lot of the time through lethal force.

Then there’s the girls that Shido romances to the good, less destructive side. A lot of the time they fit well into the typical archetypes we’ve seen in other romance anime, but the backstories and personalities do make them intriguing. Some of them do genuinely want to live quietly and comfortably with Shido, but others answer the question “Violence?” with an enthusiastic “Yes!” Case in point: one of the most iconic characters in the series:

You can’t fix her, nor will she fix you or even try to make you worse. She’ll just leave a massive stain where you standing three seconds ago.

The series explains that the Spirits themselves come from different dimensions, but (minor spoiler) it’s possible for a human from this dimension to become a Spirit as well as what happened to some of the characters in the series. The AST is another display of the sci-fi within the series. With the Spirits being what they are–superpowered high school girls–the members of this elite team have to take the “fight fire with fire” approach to combating them with hi-tech battle suits. Not on par with what has been depicted all over the Gundam genre, but impressive all the same. It’s more like stripped down Iron Man armor in appearance.

Depending on your investment in the series overall and how you feel about the genres explained, you might get a kick out of it, or it might just be another harem series to add to the pile. Neither of these assessments are right or wrong, but it shows that it’s a product of its time. Does that mean the series hasn’t aged well? No. As I said, I got into it weeks before a fourth season was greenlit, not to mention a fifth season debuted a few months ago which suggests a determination to see it through to the end.

I know I’m not the first person to talk about this series and I will not be the last to do so. What I can do is simply point you in the direction of the series and however you choose to consume it. If possible for you, I say finish all five seasons of the anime and while you’re waiting on confirmation of a sixth, beat them to the punch with the light novels.

Before I sign off, since there’s a certain demographic that loves the type of character that I put further above, I feel the video below best describes that mindset:

Channel: Gianni Matragano

But hey, I like kickass ladies too.

For Saturday, June 8, 2024, I recommend the YouTube channel Christopher Chaos.

https://www.youtube.com/@christopherchaos/videos

Run by a retired Army Sergeant and Motor Transport Operator (Military Truck Driver), Christopher Chaos is a military explanation channel dedicated to detailing the possibilities and benefits that come with enlisting in the Army along with the occasional anecdote about his own personal service. Each servicemember’s/veteran’s story is unique due to how big the U.S. military is and how fast changes can be made while serving. Christopher himself explains that he served from 1999 to 2010, so most of his stories show the culture of the Army during his service. That being said, he does still keep up with Army and military news for the purpose of educating would-be recruit candidates.

And if you’re concerned about it, he’s not endorsed or sponsored by the U.S. Army. That chapter in his life is behind him.

Dystopian Fiction

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And now for something completely different

Before we start, I’ll say that I meant to have something up either by Friday evening or sometime yesterday, but I missed it because I was tired after work and yesterday there was a local comic con in town that me and some friends wanted to attend. Also the two topics I had lined up for coverage–a review of the Undead Unluck anime adaptation, and a chronicling of the reboot Planet of the Apes series–would require me to both finish the anime, and to at least see the new Kingdom of the Planet of the Apes movie. The first of those can be done more easily than the second since while in TRADOC (Training and Doctrine Command) if you go off post, you need to be with at least two more people, and I haven’t found anyone to go with yet. So my thoughts on the anime adaptation will come later, and my series review of the Apes movies will also come later. Back to the topic.

I’ve gotta be honest and say that I had forgotten why I put this up as one of the many topics to blog about. As much as I like sci-fi, the dystopian side of things isn’t something I actively seek out on purpose. Often, what I find just so happens to have dystopian elements in the plot. This might’ve been on my mind at the same time as the Civil War movie back in April. I haven’t seen that movie myself yet, but based on what I’ve heard from people like Brandon Herrera, there seemed to be a lot of build up with little pay off. That, or everyone was expecting the same kind of hullabaloo that came with the political landscape of releasing a movie like this during an election year, and most people’s expectations weren’t in line with what the movie had in store. If I see the movie, I may share what I saw.

Jesse Plemons’ appearance in the trailer certainly added to the hype until release.

Anyway, I’d say that for me, the appeal of dystopian sci-fi comes from an added appeal to the fantasy, as in a lot can be done even with this one specific filter. It could be and often is a world similar to ours but with a few new rules that make it a darker and bleaker place. Think of Fahrenheit 451 by Ray Bradbury. The theme of this world is that of suppressing dissent. One way to go about this is burning books. All of them. It’s illegal in this world to even own a book let alone read it, so firemen are employed to do the opposite of what we know firemen in the real world do: light the books on fire. But with all the calls to burn the books, it can only mean that there’s a resistance of some kind to this draconian law and sure enough there is. An underground society of sorts that serves as a gathering of rebellious readers, sort of like a book club in tacit defiance of the Gestapo-like firemen.

As we can see from the book and its movie adaptation, the world is not dissimilar from ours except reading and literature are criminal acts where the offender is disappeared while their illegal library goes up in flames. In this case specifically, it calls back to the pre-war Nazi German laws where anything critical to national socialism was up for a mass purging, writings included. Of course, knowing Nazi Germany, this boiled down to anything perceived to be penned or endorsed by their enemies, namely communists and Jews.

Based on that example, the dystopian genre can also provide some social commentary on the real world, and it doesn’t necessarily have to take itself seriously. Comedic examples like Futurama, select episodes of South Park, or even certain skits in Robot Chicken do a lot to make a commentary on the real world, often through speculative warnings. And the operative word here is “speculative.” In my research for this blog, I found that utopia and dystopia normally go hand in hand, often as a response to one another and from my perspective either of them can and do address the issue of logical fallacies, namely slippery slopes and depending on the writing and phrasing tu quoque and/or middle ground fallacy; slippery slope since the more pessimistic of the two can be argued that X will happen if blank is allowed, tu quoque since either side can argue convincingly that the other is behaving naively and unethically, and middle ground since a third party can attest that the most ideal solution lies the furthest away from the two extremes and unlike the extremes, the middle ground attestation isn’t under the same expectation to provide supporting arguments.

Sounds familiar, right?

Well, like real-world politics, utopia/dystopia and everything under that umbrella can come in many different forms. As such, there’s a lot of elbow room over what a work of fiction can look like and/or talk about. Tell me your favorite examples. Mine has to be the beginning chapters of the Dr. Stone manga. Shortly after awakening, Senku, Taiju, and Tsukasa all agree to harness the titular anti-petrifying agent to awaken humanity and reclaim the Earth from that evil queen we call nature, but the conflict arises over who to revive. Senku chooses all of humanity should be revived no matter what, but Tsukasa disagrees, citing the existence of bastards and monsters in this world, many of them bitter geriatrics that we could do without and essentially starts off as an antagonist reviving a handful of warriors he believes are incorruptible while Senku, Taiju, and later Yuzuriha continue on without Tsukasa’s might and brute strength.

The question dealt with here in the beginning is that of morals. Both the antagonist and protagonist in this arc accuse the other of being nonsensical and provide compelling arguments for this case.

The manga obviously follows the protagonist who won out and eventually recruited Tsukasa to his side, save for several dissenters spouting his original tenets for the next arc or so, but if the manga was more Seinen instead of Shonen, we probably might see the perspectives of both sides or even a third side emerge, though depending on who you ask a third side already exists and its called the legal system.

Joking aside, since I’m already a fan of sci-fi and more specifically the alternate history side of things (See: my recommendations for Alternate History Hub and Monsieur Z/Dean Mosley), the dystopian side of things has its appeal for me for a lot of the reasons listed, offering interesting stories and scenarios to explore.

And since the subject is on dystopian fiction, I offer these novels as my personal recommendations:

Stand on Zanzibar (1968) by John Brunner

A Clockwork Orange (1962) by Anthony Burgess

Anything by Mary Shelley (1797-1851) (I’d be more specific, but there are too many examples to choose just one, though I do encourage looking beyond Frankenstein)

A Scanner Darkly (1977) by Philip K. Dick

Planet of the Apes (US)/Monkey Planet (UK) (1963) by Pierre Boulle

Working in a Hidden Away Restaurant in Rome

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Been a while since we did a double bill

Part of the fortune of covering a series done by the same author is that I don’t have to thumb through another file to look for another series. Last time I did this was when I was covering the two GTAs that seemed to get ignored by modern Rockstar Games: Liberty City Stories and Vice City Stories. These double bills are rare sadly, but this time around I’ve got another series by Natsume Ono: Ristorante Paradiso.

Definitely not the first time a mangaka took their audience to Italy for a story, but instead of chasing an enigmatic mob boss with dissociative identity disorder, this Seinen series is largely crime free. Drama on the other hand goes hand in hand with the panna cotta and insalata mista. Similar to the other series, House of Five Leaves, Ristorante Paradiso also features a diverse cast of characters in background and thought. The story follows a young culinary school graduate, Nicoletta, who started her journey tracking down her estranged mother for the purpose of sabotaging her livelihood after discovering she operates a restaurant in a small corner in Rome. The reason for this vendetta stems from her mother, Olga, leaving Nicoletta with Nicoletta’s grandparents while she went off to get remarried. I can see a number of ways to handle this immaturely, but from what I’ve seen, Ono handles it better than some of the other works where a connecting element is a character’s issues with an absentee parent or abandonment, then again some of those other works portray it as a balding punchline. That, or they try to take it seriously but it falls flat on its face.

Doesn’t exactly mean Nicoletta’s forgiven her mother for that, only that her priorities are elsewhere for the time being. As for the other characters, there’s one older man named Claudio who is legally separated from his wife, so he’s free to date whomever he pleases, but keeps the ring on to dissuade any women from pursuing him, though Nicoletta developed a crush on him after working with him.

Speaking of men who just want to live their lives drama free, another one of the older characters is Luciano. He keeps to himself and also turns down most women’s advances to remain loyal to his departed wife. The anime presents him as cold and stonelike, but he secretly cares a lot about his daughter and grandson. Vito is a flirty type though his heart belongs to a college student he met while working out. And there’re several other characters working at the restaurant, all with different backgrounds and connections to one another.

The series is more about the people working and dining at the restaurant than the meals so don’t expect anything of the likes of, say, Shokugeki no Soma or Dagashi Kashi where the focus is on the eats. Rather, it’s related to a joke within the Golden Kamuy community about the series being an Ainu cooking show that just so happens to feature gold treasure and a rogue unit of IJA soldiers. The restaurant ties everyone together in a way.

What I have to praise about Natsume Ono is that she creates her characters from nearly every angle. Of all the aspects that aren’t given a lot of mind, she chisels out the finest details from those characters and puts them at the forefront of her writing. I also like how she includes minor details. In Ristorante Paradiso, what is addressed is that a lot of the male staff is wearing glasses and this is by design. Nicoletta’s mother, Olga, has a thing for men in thin frames and thus makes it a part of the dress code. And you don’t need a real prescription for glasses. I forget who, but one of the characters got around this by wearing glasses without any lenses in them.

It’s a short series that has the skeleton of an anthology but isn’t as rigid as one. Ono seems to do quite a lot with very little, and as I’d found out for the research of this post, that’s not a hyperbolic statement considering Ristorante Paradiso lasts only one volume despite running for a year. House of Five Leaves, however, ran for eight volumes over the course of five years. It’s also worth noting that Ono writes BL manga under the pen name of basso, so this may have to do more with these stories being very short as opposed to a writing philosophy. Juggling multiple works at a time can get to be a hassle, but this is me thinking, so don’t quote me on anything.

Funnily enough, there is a playlist of the Ristorante Paradiso episodes, but the one I found has a few missing episodes, so if you can stand to do so, a Crunchyroll subscription should do it or if for whatever reason (I won’t judge) you don’t want them to have access to your credit card information then put on a straw hat and challenge the world government from the seven seas.

For May 25, 2024, I introduce you to Kaho Shibuya.

Home
https://www.kaho-shibuya.com

This is a bit unorthodox for a recommendation. Google lied to me about her having a YouTube channel all her own; the closest she is to being on YouTube is multiple collaborations with the Trash Taste podcast, either individually with the hosts or on select episodes as a guest, or in interviews about her previous life, but fortunately Ms. Shibuya does have her own website as you can see linked above.

Kaho Shibuya left the life of an adult video actress (read: Japanese porn star) behind her to pursue something closer to her heart. These days, Ms. Shibuya has begun streaming on Twitch, she cosplays as different characters from anime and video games, she’s dabbled a few times in voice acting, and she even has a book on what she’s witnessed of the Japanese porn industry. These days, people discover her from her cosplays or collabs than of her previous work. If all that sounds like it’s up your alley, click the link above and see what’s in store.