I’ve said before that I don’t make a beeline for Isekai. I don’t love or hate it, I’m just indifferent and for a while I was curious why so damn many anime fell under the Isekai genre as of late, but looking at the goings on in Japan, it wasn’t hard to connect the dots. The same could be applied to much of the rest of East Asia, all things considered. There are still a few Isekai that I enjoy and stop me if these sound familiar: KonoSuba, Overlord, I have plans to watch The Saga of Tanya the Evil, Gate, and probably Re:Zero if more people shut up about it. Technically, I got the gist of what to expect from all of these thanks to the Isekai Quartet parodying all of them.
But it’s no substitute for all of them. Watch the originals or read their source material if you haven’t already.
This came straight from nowhere for a lot of people and right out of a mausoleum for me. I wrote about BLACK TORCH’s lifespan in October 2023 and I faintly recall doing it out of jealousy over a similar manga that debuted the same year it ended.
You may remember in January when I wrote about my Korean manhwa arc of which a high number of the series put out was pornographic in art. Several series I remember fondly not just for the tits and ass on the page (read: my phone/computer screen), but because of some of the unique premises they played around with. Even some of the very Korean drama-esque stories had something interesting to keep me coming back. Observe:
I’ve had quite a lot of time to think about this genre.
Since this blog began, my specialty has been animanga coupled with video games, film, and television. Within animanga, there are several genres within this medium I always make a beeline for and in recent memory it’s focused on a single archetype: gyaru-centric romcoms. I know I don’t write the most about these, but they are noticeable enough that I can’t help but circle back to them. From a series I took a peak at thanks in no small part to a WatchMojo video about s[flies buzzing]ty girlfriends to one that I’m pretty sure was in the line up of Google searches whilst looking up the first one. Completing the trilogy of gyaru romance anime is one that was fawned over in online forums and by anime-themed media outlets for breaking some old tropes… apparently.
Even though I’m a writer, some things still fly over my head at times. Not gonna say outlets like Kotaku or Comic Book Reader are straight-up drowning in manure but to borrow a quote from Tactical Bacon Productions, if games journalism is the corpse that keeps in twitching, animanga journalism in the hands of guys like these are the gasses that keep causing that same corpse to burp every now and then. Be that as it may, these outlets have their moments of journalistic brilliance; and to compare the likes of My First Girlfriend is a Gal to Hokkaido Gals are Super Adorable to My Dress-up Darling would seem impractical considering what they all cover, not to mention Dress-up Darling forms the “Going to See?” part of this post’s title. Still, it got enough love and exposure (and memes) for me to get the gist of it from just the introductory blurb, so rather than treat my imminent analysis of This Gyaru Wants me to Make Her the Cosplay Queen as a holy text, take it more as a shaky summary from a dubious narrator.
This week’s post was gonna be about more webcomics, but I kinda already talked about that last week. Country of origin be damned, there’s distinction between manhwa/hua and western webcomics, but there’s not a lot of difference. So instead, we’re following up on a nearly 2-year-old newspiece:
This blog is dedicated to various forms of entertainment. The default is the Japanese medium known as animanga — a portmanteau of anime and manga, or Japanese animation and comics/graphic novels — joined together with movies, video games, and more. Since I’ve begun this blog two years ago, it hasn’t deviated very much from this promise and so far I’ve given my opinions and recaps on all the series I’ve seen, games I’ve played, etc. But for something slightly different, there’s the subject of anime I have heard of through the grapevine (read: dedicated subreddits) but have yet to watch myself.
Not anime I have in the pipeline, mind you; anime I haven’t seen and don’t have concrete plans to do so. Now this isn’t an exhaustive list of animanga series. There’s always gonna be series being produced and adapted. Even as I type this, some madlad in Japan is hard at work crafting peak fiction. Whether that series becomes a hit, I cannot say. I’m not Shueisha, or Kadokawa, or Dark Horse Comics. So here, I’ll talk about series I’ve heard of and whether or not I may view them based on a variety of factors. If your favorite happens to be on here, forgive me if I’m not immediately convinced to give the viewing it deserves. Also, expect a few jabs here and there; it won’t color my opinions on the series in question. Keep in mind, the factors that play a part — fanbases included.
This would’ve come out on Friday, but I had to pack my two bookbags for the holidays. Thought I was gonna look a gift of two weeks* of holiday leave in the mouth? (Actually, 11 days, but I also have a 4-day pass.)
I had been in Army basic training from January ’til the ides of March, so I didn’t learn of Akira Toriyama’s passing until a couple weeks after it had happened. Of course, everybody would’ve gotten their honors and tributes out to the late author by then so my words are coming later than normal, but I’d still like to remember and recount some of his work.
My introduction to his magnum opus was similar to a lot of kids in the early 2000s. There wasn’t a distinction between anime and regular cartoons back then, so anime fans young and old accepted them with open arms as more cartoons to watch every Saturday morning, further bolstered by programming blocks like 4KidsTV. Seeing a golden legacy ahead of them, many notable programming blocks acquired the rights to air anime in the west. No doubt you or someone you know remembers the ham-fisted attempts at censorship or cultural adjustments because “no westerner has ever heard of rice balls,” or “think of the kids when depicting cigarettes.”
Obviously, Dragon Ball was no different when it came to censorship. Swearing (however slight) was edited out, scenes were edited or cut, and numerous references from the original Japanese were lost in translation due to how tough it was back then to research a lot of the cultural and historical references considering Dragon Ball’s source material is the Chinese classic Journey to the West. This video can better explain the history of censorship in the Dragon Ball franchise.
Credit: Nerdstalgic
Nevertheless, Dragon Ball or more popularly it’s better known successor Dragon Ball Z gained the lion’s share of the fame in the west, albeit with a much wider reception in Latin America. Once Toriyama’s crazy diamond got an English dub, there was nowhere else to go but up.
My DBZ collection of media was a bit more miniscule compared to my Naruto diet, but it was still fairly noticeable. A few puzzle and DS games, the console fighting games, memes and image macros, fan-made projects featuring some of the characters or the whole cast; an entire production company based in Texas has Toriyama to thank for their success, and they started as a series of parodies.
In 2008, Team Four Star blessed us with an abridged parodical take on Dragon Ball Z, movies included. Covering the original major sagas, they rewrote and jokingly recontextualized all of DBZ over the course of a decade on YouTube and on their own website.
Other programming blocks like Toonami, have also owed their success to Toriyama’s star franchise. They began with re-runs back in the summer of 1998, but even so, the English cast never left the project. For decades now, VAs like Sean Schemmel, Christopher Sabat, and Kyle Hebert have gotten their recognition from the English dub and have since lent their talents to other anime ever since. I think it’s safe to say that Dragon Ball has been the connecting element to a lot of media worldwide. You could trip on a Dragon Ball reference and it doesn’t even need to be animated.
Credit: iiAFX
But Toriyama was more than just the creator of a manga inspired by Chinese literature. Away from his studio, he worked on other series like Dr. Slump and video games like Dragon Quest and Chrono Trigger. His distinctive art style has even been emulated by his fans over the years. Sites that are hubs for artists, classical and digital alike, are guaranteed to have some attempt at drawing at least one character. Even professional artists and other mangaka have redrawn entire scenes or individual characters, either while working with Toriyama or to honor him in his lifetime. Some of these other mangaka grew up watching or reading his work too.
What makes Toriyama’s passing especially sad is that, like Kentaro Miura before him, he also left behind unfinished work. Miura never finished Berserk after two decades plus and it felt as if even though Goku’s original story had concluded so long ago, there was a lot of fun to have with the Z fighters, especially with all the video games, references, and spin-offs that have come out ever since. The direction of the Dragon Ball Super manga and the newest installment in the franchise, DAIMA, are likely going to be put on hold for a while until an announcement is made.
Whatever the case, Dragon Ball fans, numerous anime fans, artists and many more have paid their tributes to a prolific and influential artist since his passing. This post is one of them having found out so late and being away from technology during training. And on that note, the block that was made famous for airing and helping perpetuate the Dragon Ball series also made a tribute complete with a marathon in his honor.
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